Comparision Study Of Manifestation Analysis On Freehand Flowers And Birds Works From Ren Bo-nian, Wu Chang-Shuo, With Pan Tian-Shou

Since ancient times, stone has been closely related to people. There are articles, stories and histories on stone. Since the dawn of time there has been many stories on stone, such as The hand that mends, Jing-wei fills up the sea, Great Yu Controlled the Great Flood and The foolish old man who removed the mountains. The classic works "Dream of red Mansion" was originally called for "Stones". It is more frequent that people appreciate stones, playing with stones......Thus, it has such deep cultural heritage, but also highly ornamental value of the stone, people like playing on a text, and often appear in his works elements. Some artists liked to add "stone" in their names, such as Qi bai-shi, and Wu chang-shi. The artists had special feeling with stones, and therefore their works of manifestation on stones.Stone is an indispensable freehand of bird theme. Stone has no fixed shape, its shapes are in different styles and tall sizes, which makes the enough space formed of its expression. Stone is silent, it makes people to stay out of the silence of infinite space, which makes people affective aspect, spiritual flying.From 1840 to 1971, that is from the opium war to the founding of new china after the period of socialist building, the three artists were born in succession. During the period, china has experienced major changes in social order, artists'ideas also change with the times, but the three artists are also known for its typical representative of their historical period. They are not only the epitome of the traditional pool, but also a case we establish camp. Ren Bo-nian is:" learning the ancient and the change in ocean"(Xue Yong-nian language); Wu Chang-shuo is:"and the old as believers, through the Old" (Wu Chang-shuo); Pan Tian-shou is:A master artist who pushed traditional painting to the boundaries, and established themselves in the risk of creating odd majestic styles (Pan Gong-kai). All the three came from the tradition, but has emerged as a unique personal style, both traditional charm, but also the spirit of the times Under the research on Ren Bo-nian, Wu Chang-shuo and Pan Tian-shou, though many scholars focused on their life, experience, studying, and three of its art style features comprehensive review, very few works related to the comparative study of the same motif. This thesis commenced on a comparative study of this three master paintings from the same motif-stone, starting from the external shape, talk about their modeling effort lies behind the words, cultural training, etc., and to explore the context of his life from the three masters of their respective causes aesthetic ideal. Making a summary of its creation to the law of creation on enjoyable a reference for the study.