The Analysis About The Bandit Image In The Contemporary China Novels

As an experience, the bandits have different meanings for different people. For rural people, the bandits are inescapable fact of life; for the intellectuals, the bandits have often become the object of their contemplation of literature, writers to bandits as the starting point to explore the social, life, human, human nature or the humanitarian various propositions. As the modern Chinese political, economic, and cultural aspects of urgent crisis, prompted intellectuals concerned about the time of national crisis, trying to understand the scientific way of bandits, and for the bandit problem to find a political, economic and cultural aspects of the fundamental solution. Realism, and also due to the impact of revolutionary realism, writers in their literary works often expressed their feelings of nationalism in these works among the bandits image may be a manifestation of national spirit, national issues of clear and concrete, or even revolutionary ideals and personality projection. The role of bandits actually become a set of symbolic discourse of the sign in national consciousness.This article aims to writers of the bandit literature describing this heterogeneous group to explore the contemporary literature in presented bandits multiple image analysis of its hidden behind the social and cultural connotations. Paper consists of three sections:the first chapter of the definition of bandits, history, the reasons for the bandit and the bandit's main source for the whole of the comb and generalization; the second chapter of the novel based on the specific text changes under the context of the times image flow bandits, the bandits in the comb when the image of the historical form, from the political, historical, aesthetic and so the context of age, discusses the existence of the edge of the bandits and the image changes with the rules; the third chapter focus on the image to explore the bandits behind it the significance of cultural content and value.