Study Of The Bandit Image In Chinese Novels And Films In The New Period

The bandits are a Chinese social dark scenery and dark forces,which is a specialhistorical product.The bandits,as a social phenomenon with the breeding environmentalso disappeared,but as the artistic imagination is more and more rich and colorful,and become one of the most important motif Chinese literature.In this paper,except the introduction and conclusion,is divided into three parts.Combined with the novels and films,trying to shape the interpretation of the banditimage from different angles of arts.A brief summary of the introduction part mainly introduces the researchbackground,the significance of the topic,research status and research problems,pointsout the innovation of this thesis is mainly reflected in the comparative study of filmon the bandit image review and novels and films about bandits through two aspects.In the first chapter,which is mainly analysis the origin and development ofbandits,including definite the bandits,and summed up the images in the novels andfilms from new periods.In the second chapter,which is mainly analyzes the bandit image novels andmovies in the new period,which is divided into four types,the first is the dissident,thugs and demons,the second is the reverse,the Avengers and champion,the third is theoriginal sin,the margins and the villagers,the fourth is the chivalrous person;revolution and heroEditrice bandits culture connotation, historical value andsignificanceIn the third chapter,which is mainly analysis of different bandits images innovels and films in new period,especially knee on those films come fromnovels,researched from three aspects analyzes the similarities and differences ofcharacters: the character (film appearance),character development (plots in films) andthe fate of the characters (the end of each film).The conclusion briefly comment on the misunderstanding and lack of novels andmovies bandits image,and the two forms of art interaction bandits write and also thefuture of bandits writing.