The Contradictory Unity Of Musical Aesthetics In "Huai Nan Tzu"

" Huainanzi " is the culmination of a Han Dynasty for, contains a wealth of musical aesthetics. This article on "Huai" Aesthetics of Music in the music ontology, aesthetics, and music features music concept analysis of contradictions that exist, that the unity inherent in them, and from the social, historical background, combined with the personal Liu An factors, to explore the unity of the causes of this conflict.The first chapter of "silent music" and " Tao " to discriminate, analysis "Huainanzi" "Silent Music" and "Sound of Music" and between "Sound of Music" internal contradictions, elucidation of "silent music" represent the spirit of peace, and contains the spirit of peace, "sound of music" the unity between.The second chapter "book of" aesthetics of music "face and essence ,surface and reality" and the view of musical aesthetics, the musical works to determine whether the expression of feelings, aesthetic subject of "Sorrow" feel the contradiction between the content and work , who elucidated the aesthetic understanding of universal interconnectedness of things under the premise of play initiative, the aesthetic experience and music to form the unity of contradictions.The third chapter of the social and political functions of music and health function spreads his argument, analysis of "Huai Nan Zi" to the music of the country and the health benefit, useless conflict, Liu An elucidation of the social situation in the social conflicts take premise, unified understanding of the contradictions music features.The forth chapter on "book of" Aesthetics of Music contradictory unity of the social background of the formation article discusses the specific social and historical background of the Han Dynasty on the "book of" Aesthetics of Music had a profound effect; and Liu An's upbringing and his philosophy concept of the "book of" Aesthetics of Music has a fundamental role in the formation.