The Implication Of Concept Of "Sub-colored Ink" In Chinese Modern Oil Painting

"Sub-colored ink" is a traditional Chinese painting in the techniques of language, Chinese painting ink change is an important aspect of performance. It also has a special aesthetic value. This article focuses on the "sub-colored ink," the connotation of traditional Chinese painting in the specific performance and modern Chinese painting techniques of their ideas and learn from and use. And then projected onto the current practice of the historical background to the big, definitive "five-color ink points" with the painting "rich layers" in relation to echo the modern Chinese oil painting artists played role.The article has discussed the "Sub-colored ink". The major changes from the ink-rich layers, the expression of color to texture in ink, and through analysis of some representative works were combined with the historical development, scientific basis and personal experience in learning the specific analysis of "sub-colored ink" concept in the use of modern oil paintings in different ways, and the resulting aesthetic value.In the rich and varied art forms and styles of modern society, especially the traditional idea of painting language study is an unavoidable problem of Chinese oil paintings, oil paintings for the sustainable development of China also has far-reaching significance.