The Study Of Sylvia Chang's Cinematics

Sylvia Chang has been a singer, director, producer, and working for the entertainment industry related to virtually all industries. She interprets each of the characters in place. From the 70's to now, Sylvia Chang experienced Chinese-language films in the history of a second revolution, the Hong Kong New Wave film movement, and Taiwan's new movie era, the Chinese mainland's fifth-generation, she was shuttling between Hong Kong and Taiwan, and learned a lot techniques. She played a role that exchanged the knowledge to what the other needs, which brought Taiwan's new film into a different kind of vitality. So far into the mid-life, Sylvia Chang still has not become obsolete, with her own unique technique of expression, expressing dedication to the feminist film.Sylvia Chang's movie has no boundary. Although the performance of the film subject matter has been the theme of women, neither the traditional feminists to overcome antagonistic to men, and even the intensification of conflicts, nor subject to the impact of post-modernism, the female expression of directors such as Ann Hui in the women who appears in the movie as perseverance, realism. But she always insisted her own creative style and line, with human affair concerned about Hong Kong and Taiwan were the living condition of urban women in order to shape the way the gentle euphemism for a woman with an image.Until now, academic research for Sylvia Chang movie still in the minority in the thesis writing process, it is more difficult to find information about Sylvia Chang film theory research data, but mostly are interviews. After organizing Sylvia Chang's work, through her participating in the exercise and directed film, this paper concludes her film art. It also explores the reason that why Sylvia Chang in the academic community can not become a focal point.