The Discussion Of External Communication Of Chinese Contemporary Film Under The Context Of Globalization

In the early 1980s,Chinese film began to rise up in the world's film industry.The Chinese filmmakers has produced a great number of excellent films which left an profound impact on the film history of the whole nation by reflecting the Chinese traditional culture and constructing of film language, making itself one of the most important milestones on China's film history. And the most important thing is, comparing with Chinese films in the past which is only in the domestic small-scale dissemination, Chinese filmmakers are now successfully penetrating into the world stage by participating in the International Film Festival. With the increasing number of gains of international award,Chinese film has gradually gained acceptance and praise from audiences all over the world due to the masterpiece which has blend Chinese characteristics, historical traditions, cultural resources and aesthetic style together, even successfully embarked on a journey of external communication. The time that Chinese film penetrated into the world stage is also a period of globalization the world. Under the context of globalization, the US-led Western world's films has been occupying the dominant position, Chinese films are in the edge position, and can only live in a hardship with limited market and space to survive.Chinese films in this predicament needs to find a development way to compete with Western film, in which their own culture and film culture to a wider audience of the world is imperative.The thesis adopts the contemporary Chinese film as a perspective point. The first part discusses the dissemination of possibility and necessity contemporary of Chinese films.The history of contemporary Chinese film's external communication will be approached in next part which follows by inquiring into the effect of the contemporary Chinese film's external communication. The fourth part mainly focused on the problems encountered in the process of external communication of contemporary Chinese films. Finally, possible effective strategies of how contemporary Chinese films overseas propagation will be given as a solution.