Yonghe County Gao Jia Yuan Santou Yangge Investigation And Research

China's Shanxi western and northern Shaanxi, is the birthplace of the santou yangge. Yonghe County is located in the Yellow River cultural circle, it is natural that the first dip of the Yellow santou yangge 's culture. It operates mainly in Yonghe local spread, and the adjacent parts of the Yellow River on the other side there are the exchange of Shaanxi. Gao jia Yuan santou yangge with other peripheral areas, the santou yangge different, it is a small play to win their yangge singing a beautiful tune, performing funny sense of humor, because of its performance with real-life content of more closely related to the unique cultural characteristics of the Yellow River, local flavor is very strong, popular local people's affection. Gao jia Yuan santou yangge is living in a more inaccessible environment, so the way to inherit the main performance, the lack of innovation, performance content to the short side of the parents as the main content where the vast majority of men and women to punish evil and leading to goodness or love aspect. Language based on the local dialects, user-friendly, reflects the simplicity of good local people, love the good quality of life. Gao jia Yuan santou yangge in the 20th century, 50 years were more prevalent at the local, after the Cultural Revolution, due to the government to promote and help, Gao jia Yuan santou yangge has been radiating its own light, but in recent years, both in the level of the performers and performances have fallen sharply, coupled with the common people started getting more and more gradual loss of interest in downtown yangge, Gao jia Yuan santou yangge also became precarious existence.In this paper, 8 carried out in terms of Gao jia Yuan santou yangge discussed. Brief introduction to Gao jia Yuan santou yangge of the living environment and the first yangge the status quo, as well as the purpose of this research and research methodologies. The first section describes the sources of Gao jia Yuan santou yangge, first explore the origins of the santou yangge, and then combed the chronology of Gao jia Yuan santou yangge. the second part describes the role of the Gao jia Yuan santou yangge dress and props decoration, detailed record of the existing first Gao jia Yuan santou yangge dress and props for all performances, and its use briefly discussed. Part III describes the first Gao jia Yuan santou yangge performed the ceremony process, Gao jia Yuan santou yangge have a certain ritualistic, and from these ritual performances or exhibitions, the process can also see the customs and worship of local villagers, detailed description of its process, on the one hand is to retain the door to the brink of extinction art, on the other hand give the reader an intuitive feel. The fourth part is the Gao jia Yuan santou yangge needed in the first band accompaniment for a brief introduction. Part V is key part of the analysis of Gao jia Yuan santou yangge small drama productions and screenplays. Which can be divided into props dance, opera forms already have a small theater and to the opera into the small theater. Part VI from the language, performance and music three-pronged analysis of Gao jia Yuan santou yangge's art features. Part VII of the paper describes the existing Gao jia Yuan santou yangge artists are briefly introduced. Eighth part of the analysis of their status, and its outlook for some suggestions.