The Investigation And Research Of Shandong Lvju

Lvju has been named "make-up Yangqin", "Qin Opera", etc, and in Linyi and Jiyang area of Shandong province,it is also known as "Fan Opera " and in Jiaodong area,it is also known as the " Bouncing Opera ". It is the local representative of all the types of operas in Shandong province. It is also one of the eight types of Chinese operas.Lvju arised from civil folk spoken art "Shandong Qinshu ""zuoqiang Yangqin " . At the same time, it has absorbed and composited the essence from other types of folk opera and Quyi n.m ,such as "Dagu ","Yiyang Qiang","zhui zi"and has refered to and compounded and applied some elements from "Wuyin Opera ","Dun Qiang","Liuqiang","Peking Qpera ","Bangzi Qiang"and other operas for its own tone, performance and other ingredients. So, it has been constantly enriched, developed and improved and become an important representative of operas in Shandong province. Lvju is the product of cultural development in yellow river delta and up in Shandong Province. It originated, prospered in the known "Lvju wozy" in Boxing,Guangrao area, and grew, matured shaped in the big cities of Jinan. It spread in Jiangsu, Xinjiang, Heilongjiang, Liaoning and other places. Lvju tunes took homophony of Shandong Qinshu as mother and produce the basic tone "Siping Cavity" and made singing tunes set by the physical structure of the evolution of the plate chamber from "tune set of body joint" to "banqiang-style" and also produced "Slow Siping ","Fast Siping "and "Siping Rubato" and other plates on the basis of "Siping Cavity". It also developed " Two Plate" also produced "Slow Two Plate ","Fast Two Plate " on the basis of " Two Plate" and other rich plates. The singing of Lvju takes "banqiang-style" as the main one and aslo includes singing "qupai". Lvju tunes are simple and modest and soft sounding, and also flexible easy to read, easy to learn and sing. In the long-term performance practice, Lvju singing and bai nian are all based on "Jinan Mandarin". Lvju is rich in flavor of Qilu culture, strong rural flavor . Many outstanding plays Vividly reflects customs and hanty of Qilu and the content is healthy and lively, and the words play are humorous with a high idelological content andartistic quality .The development of Lvju has a century of history so far.and in the fifties and sixties of the twentieth century,it was once brilliant, but suffered a great damage during the Cultural Revolution. New, Lvju has been restored and developed. In the new time, Lvju were restored and developed. But the rise of television, film and other new media, is a great challenge to the development of Lvju, while Lvju itself includs music and subject matters etc has many problems yet to be reformed to suit the times. In 2008, Lvju was subordinated to the directory of the second batch of national intangible cultural heritage . Its protection, inheritance and problems of the development has been paid attention to by people increasingly.This paper applys historical datas of Lvju ,history of Chinese opera, Chinese opera aesthetics, chinese opera culturology, Chinese opera sociology on the basis of field survey of Lvju and makes a comprehensive and systematic dialysis on the origin, artistic expression and ecology of Lvju. On this basis, it contact the launch of national intangible cultural heritage protection work to discuss the countermeasures of development of Lvju to make Lvju renew glory.Lvju is rooted in deep soil of Qilu culture and an intangible cultural treasure. Making an in-depth discussion and research on it has an important historical and social significance on the excellent traditional culture of Qilu and even China .The first chapter, introduction, is mainly focused on the causes and significance of this paper, current research, and research methods and innovations of this paper and makes an systematic, detailed description and highlights the value of this paper.The second chapter, applys historical datas of Lvju , chinese opera knowledge on the basis of field survey and interviews of Lvju to make an objective, scientific study and analysis for music tone of the original ecosystem, the formation time, the site of generation and the founder and the naming time of Lvju and other social problems .The third chapter, makes an systematic detection and analysis on the mother of Lvju——"Qin shu" to explore the internal factors and the external reason of coming about of Lvju.The forth chapter, makes an systematic, comprehensive, and in-depth approach to art features of Lvju, and applys the obtained from on-the-spot investigaion (including appreciation of the scripts provided by troupes in the various periods on-site viewing and shooting rehearsals and performances of troupes) and interviews on the basis of previous research results to manifestations, including music, script and role of dan performance.The fifth chapter, makes an objective and detailed induction, arrangement and research by consulting Lvju historical datas, shi zhi and county annals combined with survey and interviews with the history of the rise and fall and fluidity of Lvju in homeland of Lvju.The sixth chapter, makes an detailed and thorough arrangement and introductionon to early troupes of artists, troupes after founding of the p.r.c and representatives of various periods, etc, on the basis of Lvju historical datas consulting, investigation and interviews.The seventh chapter, makes an objective analysis based on field survey results, on survival state and problems of Lvju.The eighth chapter, puts forward feasible countermeasures of development for protection and heritage, innovation and development of Lvju.The ninth chapter, makes a conclusion on the study of this paper and attempts to draw a reasonable conclusion on the above discussion on Lvju and points out the value and significance of the study with field investigations and interviews combined with theoretical knowledge of chinese opera.