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On The Exploration Of Song And

Posted on:2013-04-16Degree:MasterType:Thesis
Country:ChinaCandidate:Z JuFull Text:PDF
GTID:2175330395484358Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
In our country, mounting art has a centuries-old history. A Jinpainting which was found from Ma-Wang-Dui Tomb of Western HanDynasty has a more than2000-year history. A special skill for decoratingpaintings, calligraphy and rubbings was formed. Through history, framedpaintings masters innovated continuously. A great variety of mounting styleswere formed. Xuan He Biao in this thesis is a kind of mounting style which isin the Northern Song Dynasty palace’s calligraphy and painting collection.Huizong of Song Dynasty proclaimed himself as Emperor Xuan He, so thiskind of mounting style was named as Xuan He Biao. It was famous fornormative styles, exquisite makings and technique. And it still has an evenfar-reaching influence today. This kind of mounting style is one of the mostcomplicated styles. It represented a highly mature mounting style and aclimax of mounting art. Jilin College of the Arts opend calligraphy andpainting mounting and rehabilitation profession which attracted motivatedyoung men and women to learn traditional skills. The college pays moreattention to cultivate high-quality mounting and rehabilitation talents. Theauthor majored in this profession. Combining the culture and politics ofNorthern Song Dynasty and the aesthetic value, the author’s graduationcreation reappeared Xuan He Biao and recorded the process of mounting andthe author’s experience. Compared with machine mounting, we shouldinherit and develop this traditional mounting skill.
Keywords/Search Tags:Mounting, Chinese paintings and calligraphy, Xuan He Biao, Northern Song Dynasty, Vitality, Function, aesthetic appreciation
PDF Full Text Request
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