Research On The Stylistic Form Of Biao Of The Song Dynasty:Centered On The Literature Of "Si Liu Fa Hai"

Biao is a kind of ascending style that subjects wrote to the monarch in ancient times.Parallel prose developed to the song dynasty,and was gradually identified as "si liu",that is,a relatively standardized,rigorous style with high degree of pian,while table prose is a relatively representative style of song siliu.Table to develop on a new look: song dynasty in the song dynasty's political reform,the development of the civilian group,heavy text light wu culture environment,talked about "good hair",literati era of strong "involved in the current politics" sense of mission and printing and book industry prosperity,under the joint action of the song dynasty on behalf of creation flourish,handed down works far ahead in the number of generations.Most of these tables are preserved in various collections of the song dynasty,other collections,historical books and other types of books,notes and other documents.On the basis of all kinds of literatures and the whole text of song dynasty compiled and published by sichuan university,this paper discusses the representative text of song dynasty by taking siliu fahai compiled by wang zhijian of Ming dynasty as the center.The 94 tables selected in "si liu fa hai" are mainly divided into six categories: table of gratitude,table of daily life,table of congratulation,table of reception,table of begging and table of making on behalf of others.Wang zhijian has made it clear in "si liu fa hai · notice" that "although it is a self-compiled book,it is mostly made for the purpose of starting a career.Therefore,it is selected as a good book by ning.How to translate this English translation? Therefore,in the research and analysis of the diversity of functions of Biao,the overall situation of the development of song representative writing,the specific style discrimination,etc.,only based on "si liu fa hai" is not comprehensive enough.Therefore,this paper appropriately referred to "whole song wen" and other books as a supplement.This paper is mainly composed of an introduction and four chapters.The introduction mainly discusses the research status,significance and methods of representative prose of song dynasty and si liu fa hai.The thesis is divided into four chapters:The first chapter mainly explains the definition of table text and defines the scope of table text,and summarizes the development and evolution of table text before song dynasty.This paper briefly describes the evolution of the name of parallel prose and its definition,origin and evolution as a style,and analyzes and summarizes the parallel prose.At the same time,the author analyzes the stylistic attribute of table style and summarizes the development and relevant factors of table style before song dynasty.The second chapter is mainly to the song to represent the article related statistics,at the same time to "complete works of the song dynasty all in the name of" table "article to carry on the style differentiate,the song dynasty in the name of" table "in the article the article with a male dozen class table to distinguish discrimination,the article roughly divided into male dozen class table and non-public dozen class table text will also be on the basis of male dozen class table listed along with the special form of analysis in the paper.It is clear that the object of this paper is the official letter form of song dynasty.At the same time,this paper tabulates and counts all the forms collected in song prose and appends them to the end of the paper.Meanwhile,it compares the number of the forms collected in si liu fa hai with other important anthologies and appends the statistical data list to the end of the paper.This chapter makes a stylistic analysis of the table texts collected in siliu fahai and further subdivides them according to their functions,and finally summarizes the categories and reasons of the table texts not collected in siliu fahai.The third chapter mainly discusses the development and evolution of the two song dynasty.The literary world in the early song dynasty followed the style of the five dynasties,and most of its main writers were good at both poetry and prose.Pay attention to antithesis,language is colorful,be fond of with allusion.The surface prose in the middle and late period of the northern song dynasty basically represented the artistic characteristics of the overall surface prose in the song dynasty.At the same time,wang anshi,su zhe,zeng gong and others were relatively conservative,showing that the style of writing tended to "strictly observe the law".From then on,song represented the creation of wen,or zong ou su,or jing gong,table of the creation of the emergence of two fashion.In the southern song dynasty,due to the setting of ci subject and other factors,the creation of table prose was more neat and the style tended to be gorgeous.The representative figures were zhou bida,lu you and zhen dexiu.The fourth chapter summarizes the artistic achievements and characteristics of the representative prose of song dynasty.Biao developed to the song dynasty,in the article system in the norms,language practice,composition of artistic techniques and other aspects have formed a more perfect system,reached a higher level,the article writing has a far-reaching impact on later generations.At the same time,si liu fa hai has some obvious characteristics in the anthology of representative writings of the song dynasty.