Research On The Aesthetics Of Song Dynasty Representative Literatur

The thesis reserches the aesthetic connotation of the Biao Text under the special historical background of the Song Dynasty.The thesis discusses the aesthetic connotation of the Biao Text from two aspects.On the one hand,it analyzes the political aesthetic connotation of Biao Text's content.On the other hand,analyzes the formal features of the Biao Text.Through the analysis of these two aspects,the aesthetic connotation beyond the practical function of Song Dewen is discovered.The thesis includes the introduction,the main text(three chapters)and the epilogue.The introduction sorts out the significance of the topic,the current research status,and the research ideas.Due to special historical reasons in Chinese history,the Biao Text were removed from the literarature,so their aesthetic characteristics were gradually ignored.In recent years,literary researchers have begun to pay attention to the study of practical styles.They mainly focus on the connotation,origin,and function of the Biao Text,but they rarely study it from the perspective of aesthetics.The first chapter is "Summary of the Biao Text".It expounds the connotation and origin of Song's Biao Text,and the writing background of it.The "Biao Text's Connotation" section firstly compares horizontally with other Chinese literary styles,and believes that the function of these styles is mainly based on practical functions,and that the Song's Biao Text has more obvious ritual functions.In terms of form,the Song's Biao Text has a strict format specification,and there is a clear set of language phenomenon.In "the Source Stream of Biao Text " section,it is found that in comparison with the dynasties of the Qin and Han Dynasties,the Wei and Jin Dynasties,the Tang Dynasty and other dynasties,the writing of the Biao Text have two main characteristics in the Song Dynasty: they obviously exceeded the number of other dynasties.And in the scope of writing,it has obvious ceremonial functions and continues until the end of the Qing Dynasty.The second chapter analyzes the political aesthetic connotation embodied in the content of Song's Biao Text from the perspective of political aesthetics.This chapteris divided into three parts.The first part analyzes the image of the monarch and the king under the rule of power in the Song's Biao Text.These two kinds of images make the power of the ruler “charm” and perceptual.The huge gap between the two shows a hierarchical order that transcends reality and make the realistic political and ethical order appear in an aesthetic way.In the second part,the emperor's "system of things" in Song's Biao Text is selected.By analyzing its symbolic meaning,it has accomplished the aesthetic transcendence of objects mentioned in the text,and also made the image of the emperor shaped in the previous article more specific.The third part analyzes the representation of Biao Text's expression.It believes that the author expresses his pursuit of aesthetics in the political style through perceptual and euphemistic strategy when he expresses his political aspirations.The third chapter analyzes the aesthetic features of Biao Text's in Song from the three parts of confrontation,use of code,and temperament.These characteristic shows the obvious characteristics of corporalization.They embody the "neutral" beauty,elegant beauty,and musical beauty.The epilogue further summarizes the above content and then considers the related aesthetic research issues of other ancient Chinese literary styles.