Aria "where To Go, The Good Time" Version Of The Speed And Intensity Of The Analysis And Comparison

The comic opera "the marriage of Figaro" is Mozart’s masterpiece, isa classic, and the countess’s tune "from where to go, the good times" is the classic ofclassics, by many outstanding singers singing, singing a version number, Each has itsown merits. In order to be objective, accurate measurement, analysis and comparisonof different singing editions, the official publication of the record of two carefullyselected versions, two creative form two singer Lisa Della Casa and GundulaJanowitz analysis and from the speed and strength of the two point, through theobjective analysis, draw the conclusion about the. This paper is divided into fivechapters: the first chapter of the opera "the marriage of Figaro" and the role of thecountess charm as well as the Aria "where to go, the content and structure of the goodtimes" are introduced and analyzed. The second chapter introduces the concertversion and singer. The third chapter and the fourth chapter is the measurement,analysis and comparison of the two versions of speed and strength. The fifth chapterintroduces the relation between speed, power and emotion, and the specificperformance of the two singers in the concert aria. Through the above research, theauthor found that, different vocalists may focus on the choice of different means ofmusical expression in shaping the same opera characters, resulting in different singingeditions and artistic personality, while the expression of these differences ofpersonality is the embodiment of art originality and uniqueness.