Mozart Aria "I Lost All Happiness" Version Of The Concert Analysis

This paper mainly analyzed the palmer mina aria in the opera "the magic flute""I lose all happiness" of three kinds of singing version.Wolfgang Amadeus Mozart, in1791the opera "the magic flute", is theembodiment of the talent and wisdom the composer’s life. Especially the palmer minathis aria, both in the shaping of image and artistic quality height is one of Mozart’smost excellent Mozart aria. In order to better understand this aria, the author choseKathryn ba (Kathleen Battle), Lucia, pop (Lucia Popp), and Julia klein, trevor (JuliaKleiter) has carried on the comparative analysis of three versions.This paper mainly divided into three chapters:The first chapter of palmer mina aria "I lose all happiness" ontology is analyzed,mainly from the palmer mina image shaping and music ontology analysis two aspectscarries on the discussion;The second chapter is analysis of palmer mina aria singing skills, mainly fromthe palmer mina aria mina aria singing style and processing of the two aspects areanalyzed;The third chapter is about Mrs Mina’s aria "I lose all happiness" sing threeversions of the introduction and analysis of respectively analyzed Catherine ba holder(Kathleen Battle) sing version, Lucia pop (Lucia and Popp) sing version, Julia klein,Julia Kleiter) sing version, and the three singing style and technique to carry on thecomparative analysis;Epilogue part mainly from the three singers singing processing and differentstyles, to the vocal music singer’s enlightenment and significance.