Aesthetic Imagery In The Perspective Of Ecological Criticism

"Eco-criticism" was born in the1990s. Since the birth of the genre of literarycriticism in the West, it attracted the attention of the world, and it had a huge impactin the literary world. This school literary criticism ecological was concerned about theliterature and made the interpretation of literature from an ecological perspective,and it was based on the theory such as Holism, Non-anthropocentric, criticism, etc toview on the relationship between man and nature, link that illustrate human andecological, reveal the status and value of people in the whole ecosystem among andcommit between human beings and nature in harmony to create a relationship tofundamentally solve the increasingly frequent environmental issues. Many scholarshave carried out further research and discussion based on the theory of“Eco-criticism”. It has produced a number of research areas of Ecological Literature,Ecological Aesthetics, Spiritual ecology criticism, etc. At the same time it has madethe formation of a rich system of ecological theory criticism. Eco-criticism is both acultural critique, but also a way of literary criticism. It is inextricably linked with theliterature. Aesthetic is unique attributes of literature, and "Image" is Chinas firstaesthetic categories. This article is intended to make the combination betweenEco-criticism Theory and the "image", research aesthetic imagery from theperspective of Eco-criticism (for the convenience of description, hereinafter referredto as "ecological aesthetic imagery"), and explain the connotation of ecological andaesthetic value of Aesthetic Images. In the meanwhile this article wants to interpretthe ecological literature and classics from the ecological aesthetic point of view, andthen reconstructed and nature, man and society and aesthetic person, whoself-relationship.The innovation of this paper is a more detailed description of the ecological ofthe aesthetic imagery in the field of eco-criticism. And it combines with the specifictext systematically combing the specific content of the ecological aesthetic imageryand aesthetic value. It also offers a new interpretation of the traditional classics. Thefull text includes five parts. The first part is the preface, which is a brief account of the ecological criticism raised its theoretical foundation and development process. Italso introduces the research status of ecological research in the field of aesthetic andthe ideas of this article. The second part analyzes the necessity of the existence ofthe ecological aesthetic, and it examines the natural ecology, social ecology andspiritual ecology from an ecological perspective, which explains the relationshipbetween people and nature, man and society, people and self. The third part resolvesthe ecological aesthetic way of thinking, and describes the ecological aesthetic andthe isomorphism of the literary imagery by combined with images of related theories.Then it reveals the basic characteristics of the extensiveness of Ecological AestheticImagery. The fourth part firstly describes the major ecological aesthetic imagery fromthe three angles of the natural, social, spiritual. Then it explains the aesthetic valueof the ecological aesthetic imagery and practical significance, and it reflects the twomajor aesthetic significance of the new idea and the new thinking of aesthetic, thetwo practical significance of the return of the spirit and the reflections on the inside.The fifth part is the conclusion. This part demonstrates the practical significance ofthis study through the research of the ecological aesthetic image.