Psychological Depression Behind The Sensation And Cultural Expression

As a traditional film genre--Horror Movies, it developed to now has been one hundredyears of history, whether from the subject or performance measures, the type of film has the quitemature and perfect stage of the development. Life and death, normal and abnormal, good andevil, these factors in horror movies，the boundary between them has become muddy, andsometimes it hard to defend, more and more horror movies make the terrorist injected into theworld of daily life, this works obvious in mainland China. For horror films on the mainland,there has no the supernatural devil show, without undead zombies, no sick unknown mollusks.However, horror films in mainland China is learning from Europe and the United States inmaking sensory stimulation films and culture that has achieved a certain height，so as to create afeatures which belongs to the Chinese of horror movies.The thesis is to study video analysis as a starting point, learn research methods horror filmscreation, for the creation of a horror movie sort Mainland analysis to find out by watching filmscan cause Mainland horror movie "scary" the underlying causes. The main content of this paperincludes six parts. Chapter one analyze the overview of the mainland horror movie and itsdevelopment. Chapter two from the mainland horror movie form of audio-visual language,respectively from the lens language and picture. Editing skills and the environmental atmosphere,the music rendering and sound effects; These aspects elaborate the mainland horror moviesunique charm. Chapter three The consists of narrative characteristics—the arrangement of theplot structure, the setting suspense, the character image molding, and the transformation ofnarrative mode formed a special narrative mode of the mainland horror movies. which leads tothe narrative mode of the mainland horror movies different to other countries. Chapter four statethe mainland terrorist psychological analysis of horror movies. This chapter described from thefright psychological feelings brought by traditional mainland horror film to the audiences, tohorror reaction under the modern urban survival environment, as well as the uncertainty causedby the illusion of fear unknown. This reflected the development trend of China’s mainland horrorfilm. Chapter five expounds the mainland culture characteristic analysis of horror movies.Chapter six from the mainland horror movie development present situation and future prospects. Horror films on mainland China’s rise and development provide some creative ways and means.