On Li Wenhan 's Traditional Chinese Opera

According to the variation period of the ChuanQi (the first year of Daoguang emperor to the third year of Xuantong emperor,1821-1911), as the research object, Li Wenhan is an important ChuanQi writer in the late Qing Dynasty. On the basis of previous studies, arranging and analysising for his family and friends all his life detailedly in the special historical period. The activity of his poetry and literary creation, for further study on his opera activities, including the drama creation and ChuanQi music writing activities to provide support, as a systematic research on the WeiChenXuan Four kinds of ChuanQi. Finally summarizes the artistic characteristics of Li Wenhan’s drama and drama ideas, explore more prominent in its creation, and the characteristics with "ChangShangQu"of GuanMu and the humorous way called Chinese KeHun. And then analysis the characters of the person in his ChuanQi.The thesis is divided into four chapters.The first chapter, Li Wenhan’s family and all of his life study. According to analysis Li Wenhan WeiChenXuan poetry Anthology and Alternate Governor of SiChuan JiaDing Mister Li epitaph writed by FengGuifen, QiShan County Local Chronicles in GuangXu emperor dynasty, and XuanCheng County Local Chronicles in Guang Xu emperor dynasty detailedly of the textual research of Li Wenhan’s life and family members, and pointed out the mistakes and neglect in the previous research. Focuses on the analysis of Li Wenhan’s early hardship life experience, repeatedly experience the death of his grandmother Ma and brother Li Wenjun. And the effects of the Family Zhou fromYangHu of Jiangsu Province to Li Wenhan.The second chapter, Li Wenhan and his friends. Research on it at different times and different characters of friends. The company has a wide range of ChuanQi writer Zhang Mengqi, Tang Yifen, and famous scholar Mei Chengliang, Jin Baoshu, bibliophile Ma Guohan, He Shaoji, and Shanxi official Chen Jin, Zhang Xianghe, A governor of a province Li Xingyuan, Lin Zexu and other officials, and even North Korea scholar Xu Shichun, Li Yinkui etc.. They play a different role and cultural exchanges and political exchanges, talent and character in Li Wenhan’s different life stage, Li Wenhan has their different degrees of affirmation and praise. After the late Li Wenhan an official in Shanxi, the officials and Shanxi gradually formed an intangible cultural circle of friends, the WeiChenXuan Four kinds of ChuanQi which during this period has been circulating.The third chapter, the Textual research of Li Wenhan’s writings of his drama thought. In his poetry writings as the center of his writings of analysis and research, and his WeiChenXuan Four kinds of ChuanQi, refer to the Music of WeiChenXuan Four kinds of ChuanQi and The Residual Sound Of Prosperity time, explore the idea of make up for the incomplete and respect history, and to persuade the world people’s drama thought in his ChuanQi writings. The fourth chapter, theWeiChenXuan Four kinds of ChuanQi. On Li Wenhan’s ChuanQi Zi JingHua, Yan ZiXi, Yin HanCha and Feng FeiLou of the WeiChenXuan system research. Clarifying and researching the version, collection, melody more detailedly, relating the original story, the creation background, the changing for institutional, and the ideological content, artistic style.