On The Elephant 's Image In Sculpture

the sculpture as art in the history of aesthetics, China did not get someattention, the sculptor itself "artisan" identity and history is closely related to.Evaluation criteria for China sculpture development western aesthetics provides agreat help, but did not fundamentally explain the development course of Chinatraditional sculpture. China sculptor should take the national culture as the foundation,to build a consistent with the development China native art aesthetic system, in orderto establish national originality concept of art as the premise, to sculpture in the imageand the image to lead change. The article written in many means of China Taoism andConfucianism, and poetry, calligraphy, painting evaluation basis, to discuss thephenomenon of great significance in the sculpture from many aspects, and spiritualthinking brought by itself, and with the evolution of contemporary art in the aestheticpoint of view, similarities and differences the theoretical foundation of artisticcreation, the necessity for more clear as the. Some sculptors China swim and lost self,is more in-depth research did not make the national culture, hurried in self display,simple in image make a fuss, the traditional idea that the Chinese are different. Theauthor put forward the proposition and discussion, hope to clarify in the spirit inside,so that can spontaneously, consciously to create images. This article lists somereliable examples to illustrate the feasibility of the sculpture Chinese, did not blamethe development of sculpture westernization is not good, just hope this paper cancause attention of people in the industry, expansion also may provide more possiblesculpture.