On The Humanistic Feelings Of Landscape Architecture And Slavery In Ming Dynasty 's Landscape Paintings

People of Ming Dynasty landscape painting plays an important role in the Chinese painting history, painting was shown on the landscape garden, the pursuit of life taste and artistic conception of natural, Gao Yi, elegant, are very high and the understanding for books, calligraphy and painting, utensils, created many masterpieces spread to the world, these works do not have high writing skills, but also records the artist’s life.Scholars from the study on their feelings, environmental management with layout and external study. Through the study, the planning in the den of leisure, deep thought and humanistic spirit China ancient literati. Sheng Ming garden, the garden room elements often appear in Ming’s painting, the artist for many accomplishments included in and outside the picturesque attainments, furnishings of his study in a grass stone, need to run the artist painter, business garden and study, and drawing upon the picture, recording the elegant life style, the garden rockery water, small to the desk desk display has become the object of the painting, a aspects of those images to depth can also be understood as "nature".This thesis aims to study the landscape painting display, such as toys, furniture as an example to demonstrate the painting and other arts, analysis of all aspects of their mutual influence. Aesthetic characteristics, analysis of the Ming dynasty literati painting characteristics, discusses the theory and humanistic spirit Ming garden and the harmony between man and nature view of nature, research the painter den from painting humanism, enlightenment and Ming den lifestyle of modern people.