| Du Fu, Meng Jiao were two famous poets of Tang Dynasty. Du Fu personally experienced the changing from flourish to decadence of great turmoil in Tang Dynasty, Meng Jiao was in the opposition to the splittism military governorship, the years of war in mid-tang Dynasty among his whole life. Both are ideal to benefit the age and pacify the masses, but humble origin, social unrest and political darkness caused them unrecognized. They suffered heavy distress in the pursuit of inner vision of the road,their official career played a role in the tragedy. This paper is comparison about Du Fu, Meng Jiao’s confiding distress poetry,includes their experience of distress, poetry subject matter, attitude change and distressing feelings Arts distraction for comparative analysis. Except the introduction, this paper is composed of three chapters.This paper quotes section,first of all, illustrates the feasibility study.Then the broad of confiding distress poetry written by Du Fu, Meng Jiao is gave illustration.Moreover,the present of Du Fu, Meng Jiao’s confiding distress poems research is reviewed.Finally,the purpose and method in this paper are displayed.The first chapter analyzes the distress of Du Fu,Meng Jiao,and to explore the mentality of both the similarities and differences of suffering distress. Based on two similar career experiences, this chapter is divided into three sections to facilitate comparison. The first section describes the two after failing the consistent struggle of distress. Du Fu have participated in recruitment examination twice but failed, Meng Jiao failed three times, a strong political feelings inside actively encourage them to interview dignitaries, fight distress. Section two is about their distress in the official periods, comparing their choices in the face of distress, which are worked in Governors-General and the Provincial Governor’s Mufu,analyzes two different political attitudes,explores their boundary gap. Section three mainly explains their breakout of distress after resigning official post, Du Fu had tough ethics, persisted chaste ambition, overcame the distress. Meng Jiao was lacking in firm value judgments, struggling in contradiction about becoming an official or not, finally decided to join Zheng Yuqing’s Mufu again, but died from an acute disease on his way to his new postThe second chapter analyzes the similarities and differences between Du Fu, Meng Jiao confide distress Poems in theme or content, a total of two sections. Section one mainly talks about the similarities and differences of their own distress. Same point has two aspects:one is physical hardship, on the other hand, is spiritual anguish express. The main difference between the two is reflected in Du Fu has more conscious of caring spirit, Du Fu expressed his own distress but also benefit the people, which shows higher personality. Comparison,when Meng Jiao confided his hardship, almost no mention of the times and the people, the content of his poems seem thin and weak.The second section Researches their poems that written for the poor and compares the differences. Du Fu, Meng Jiao both are realist poet, they have looked benefit the age and pacify the masses as their mission, to describe the common people’s misfortune was an important part of their speech distress poetry. This section critically exposes the exploitation and wars, describes similarities, discusses the differences about the depth of loving thoughts. In contrast, Du Fu’s poems covered more wildly areas about the poor, contained more deeper social content, which Meng Jiao cannot compared with.The third chapter is about Du Fu, Meng Jiao distressing feelings artistic distraction comparison, a total of three sections. The first section mainly compares their aesthetic imago. Du Fu, Meng Jiao were from ignoble families, experienced in troubled times, to coincide patriarch guarded community,stayed the humble position. To distraction inner feeling of sadness, Du Fu held a positive and optimistic attitude towards aesthetic, financial situation in the poems, depicting numerous magnificent, beautiful, fresh imagery, which reflected the mind detached from things outside of Du Fu. In contrast, the imago chose by Meng Jiao were mostly fishy foul ugly, dangerous strange gloomy, cold dry cable weary,which made people felt horrible dark, bitter,grief. Section two is about the lyrical style. Du Fu adhered to the Confucian " gentle and sincere" in traditional poetry, in the heart of the pine can express emotion almost full length hair almost ritual, not angry resentment. Meng Jiao broke through the Confucian " miser able but not sad, resentment rather than anger," and this kind of aesthetics, the heart of the quiet anger uneven slightest regret to pour away. The third Section is relatively the language style. Du Fu was showing a fresh soften language style, also plain and simple, playful humor and other features. Meng Jiao’s language style was promoting fresh blood product, thin but hard.Their different aesthetic imago,lyrical style,language style, created two very different styles of poetry. |
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