The Influence Of Traditional Chinese Painting Aesthetic Spirit On Contemporary Opera Stage Design

This paper mainly compares the characteristics of Chinese traditional painting aesthetics and modern drama stage design from two aspects.This article will adopt the method of art and aesthetic theory,to study of Chinese painting,from the perspective of China's art to reflect the aesthetic ideas of western and even the world,such as the humanities status,and geographical features of different,the inner structure of different characters,traditional Chinese painting is unique in the world,and it is not only affected the modern stage arts,also affected the stage design of the past.What influences is the thinking concept of our choreography designer and the spiritual core of Chinese culture.However,when we talk about Chinese traditional painting,we are talking about the humanistic atmosphere revealed by the aesthetic spirit.From the aesthetic spirit of "scene blend","lyrical freehand" connotation,it is on our contemporary stage design is produced a certain impact.From the structure of the article,it is divided into the following parts: introduction,text,conclusion.In the chapter of introduction,the background,significance,current situation,ideas and methods of the research are discussed.The first chapter mainly elaborated the Chinese traditional painting esthetics dissemination present situation research,in the painting work artistic conception beauty and its humanities spirit outline.The second chapter is the development of modern opera choreography,which presents the characteristics,states and forms of expression.It analyzes,summarizes and elaborates the choreography design of the original children's musical "little fox in badlands".The third chapter is based on the influence and reflection of the aesthetic spirit of traditional painting on opera and dance,and the inevitability and innovation of the aesthetic spirit principle of painting in the stage design of modern opera.In the contemporary world,Chinese culture is a banner of world culture,and traditional painting is the symbol of Chinese culture nationalization and localization.When we study the stage design of contemporary opera,the aesthetic spirit behind traditional painting provides us with certain principles and methods.The traditional is both modern and traditional.When the traditional painting aesthetics and modern design concept are integrated,the power burst out is shocking and has a strong impact.Therefore,we should carry forward and inherit the application and development of Chinese traditional painting in contemporary opera stage design.