A Study Of The Aesthetic Features Of Chinese Poems And Their National Connotations

China Film has a history for one hundred years, it is a narrative art, lessons fiction, drama and other forms of traditional narrative in the creative process, the formation of theatrical movies and poetry film two styles of expression. Dramatic film at the movie development process in the formation of film theory systematic and become mainstream film form; but through poetry evolved from traditional poetry films, but also the image of the film’s narrative form and language, ethnic style had a profound impact and formed a unique national flavor Chinese movies.Chinese poetic films in the early development had already seen the movie, but it has not been enough emphasis on theory and practice of poetic films have not reached a certain depth,the aesthetic style of poetic cinema studies is the lack of sufficient attention. In this paper,through poetry and poetry movie film history cases were analyzed and summarized, to tease out the development process of Chinese poetic film, from four perspectives outlined Chinese poetic film unique aesthetic style, and then tap its ethnic connotation, explore Poetry Film for the dissemination and development of Chinese culture to bring positive effects.This paper consists of six parts: The first part is an introduction, an overview of the topics raised in this context, to conduct a detailed study of the status quo in order, explain the research was the main content and significance of the study, and based on arguments related articles thesis detailed summary, then simply point out innovative research methods and conception of this article;The second chapter is an overview of Chinese poetry films of important concepts, "Chinese poetry movie", poetry movie "Poetry" and the basic characteristics of poetry films elaborate the basic definition of poetry movie connotation and denotation, combined with "Poetry Movie" personality traits, which describes a form different from the movie theater unique style of film form, rather than focusing on symbolic connotations lyrical, descriptive overview of the history and development of Chinese poetry rheological movie;The third chapter summarizes the perspective from four Chinese poetry film aesthetic style,mainly from the screen language, virtual and real, subtle and delicate, these scenes aesthetic categories to analyze Chinese poetry film aesthetic style;The fourth chapter is a core part of this paper, from the perspective of five mining the aesthetic content of the poem of the film, analyze Chinese poetry film and intrinsic unique national style, and pointed out the development of Chinese poetry and promoting the spread of film culture in the nation significance.The fifth chapter is the conclusion and prospect research, this chapter of the global overview of film development environment, and how to deal with their Chinese film development process to analyze the various problems. In the context of the current modernization and globalization, with the essence of Chinese poetry film aesthetics make it more local characteristics and ethnic flavor, and is committed to tap the aesthetic spirit of poetry, to find a modern expression. Chinese poetry film in a way shoulder the responsibility of revitalizing the national cinema, it is for China to embark on world cinema films, disseminate and promote the Chinese culture is of great significance.