A Study On The Music Of The Dai People 's Tombics

Lincang region is an important area spread Theravada Buddhism spread, mainlyin Gengma, Shuangjiang, Cangyuan, Lancang, Ximeng, Menglian, etc. Jinggu Dai, Wavillages. This area Buddhist sect complex, rich Buddhist cultural diversity duringthe housing section, Lincang major temple will hold a vast scale,"Tan Lane" pujaceremony each year, a local routine Buddhist ceremony activity is extremelyimportant and very unique large chanting puja ceremony with the complete structureof musical structure and musical culture, reflecting the local unique socialphenomenon and religious cultural identity."Tan Lane" The whole process chantingceremony to recite scripture-based, large-scale, clear structure, complete with aritual form of music, part of the core level of religious music studies. During thewhole ceremony of sound behavior, not only the organization, consolidating theceremony program and property, while rendering religious atmosphere also has animportant function and status, is a great research value of religious music topic,this article is drawn up by Gengma total Jinlong Temple Buddha Temple and Mong Kok"Tan Lane" Fieldwork chanting puja on the "Tan Lane" ritual music of the structureof the text, and sound in the formation of motivation music anthropological traitswere illustrated and described.This paper is divided into four parts, the introduction of which the author fromthe research origin, purpose and significance, current research, and case studyselection, five research methods, the overall structure of the article with adirectional guide. The first chapter,"Tan Lane" shall say, firstly on the profileof Gengma total Jinlong Temple Buddha Temple and Mong Kok two survey pointselaborated and presented historical causes "Tan Lane" from the collective memoryand personal memory, and the spread of the status quo,"Tan get" carried out a survey.Ritual Music is an important part of the ceremony, ritual music studies, on firstanalysis of the structure of the ceremony. In the second chapter the author to Gengmatotal Jinlong Temple Buddha Temple and Mong Kok as a case, from the basic situation of the ceremony before the event, ceremonial activities and the activities of theoverall process flow sheet of the three aspects of "Tan Lane" chanting puja wholea description of ritual activities. In the third chapter the author to chanting tonesound as a focus point for the structure and the text "Tan Lane" Analysis of RitualSoundscape make a deep analysis and description, the structural analysis of the firstquarter, respectively, from the horizontal and vertical structure angularrelationship to the whole ritual activities are analyzed in Section II for the textto analyze the structure,"Tan Lane" Soundscape of musical structure from theperspective of "da di wa la" sense of sound analysis and "dan tan m long "textstructure analysis.In the fourth chapter, the author further from the perspective of musicanthropology, respectively, from the historical structure, social maintenance andindividuals to create three aspects Soundscape generation interpretation, and fromthe perspective of cultural connotation,"Tan get" ritual among relationships(relationship Buddha, God, believers among) the original religion and belief betweenTheravada Buddhism and the "Tan Lane" concept to analyze music, trying to expoundideas from within the culture holders. Finally,"Tan Lane" Soundscape of historicalheritage and modern changes as the focal point of today’s ceremony reveals the statusof activities for the future Theravada Buddhist ritual music heritage provide a validreference.