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The Change Of Folk Songs In Ming And Qing Dynasties In Shandong Qin Dynasty And

Posted on:2015-01-03Degree:MasterType:Thesis
Country:ChinaCandidate:W XuFull Text:PDF
GTID:2175330467950262Subject:Music
Abstract/Summary:PDF Full Text Request
Ming and qing dynasty folk song showed music as an important part ofChinese traditional music, its own development and rheology has profoundinfluence on Chinese traditional music. Based on folk song showed music【fengyang song】as an example, through to the folk song showed musicQinShu in shandong province and 【fengyang song】luju opera music inrheological study, explore folk song showed music and hip-hop, closelyrelationship between opera art. From the perspective of the music cultureof fruit of shandong folk song showed music of Ming and qing dynastydevelopment and rheological.Full text in musicology as the main body, in sociology, geography,linguistics as auxiliary. Adopting the interdisciplinary researchmethods such as the folk song showed music in 【fengyang song】 explorethe rheology of shandong folk songs, folk arts, drama, and the processof rheological relationship and make the scientific reasoning. Paper isdivided into four parts:The first chapter: summary of Ming and qing folk song showed music,this chapter in the Ming and qing dynasties definition, prosperity anddevelopment of folk song showed music and remains as a key is discussed.The second chapter:【fengyang song】of folk song showed music, thischapter is about 【fengyang song】 in the form of the original folk songshowed music research, from the folk song showed music 【fengyang song】take an examination of the source to the formation and development ofexplore in detail, and the folk song showed music in the form of the musicform of 【fengyang song】 characteristics are summarized.In the third chapter: shandongQinShu【fengyang song】, this chapterto the folk song showed music to 【fengyang song】quyishandongQinShurheological made detailed elaboration, and select the language of musicmelody had a greater influence on the rheological as spy on therheological characteristics of interdisciplinary research.The fourth chapter: the fengyangluju opera song, this chapter is toexplore the shandongQinShu basic callback to 【fengyang song】luju operain the development of the four level and rheology. And the music in theprocess of its development, the content of performance based on thechange, such as to demonstrate "dramatic" factors in the process ofdevelopment.Rheological and development of the Ming and qing dynasty folk songshowed music fully reflect the people’s wisdom and strength, is animportant part of Chinese traditional music.【fengyang song】as a forcein the folk song showed music, as well as in the original form of folk song showed music genre to spread across the country. Its wide spread,a big influence on the development of rich shock scholars. Based on【fengyang song】as an example, this paper from the production of itsown to become shandongQinShuluju opera music and made a detailed researchand the process of finishing. Through a study of different genre【fengyang song】to discover the rheological relationship between genre,for the development of the folk song showed music to folk arts and dramamade further explanation. He spread and evolution of fully embodies thespirit of national music good tradition in our country, always be in riverflow and evolution of culture, its changing, never set.
Keywords/Search Tags:Fengyang song, Folk song showed music, QinShu, Luju opera, The rheological
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