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A Study Of The Aesthetic Culture Of Typical Movements In Chinese Classical Dance

Posted on:2015-03-02Degree:MasterType:Thesis
Country:ChinaCandidate:J J ZhaoFull Text:PDF
GTID:2175330467955584Subject:Dance
Abstract/Summary:PDF Full Text Request
Creating Chinese classical dance is an arduous process from scratch, but itsdevelopment is full of challenges and contradictions, breaking the shacklesof countless reverberates across the country eventually became the core ofChinese classical dance training system. In the development process of Chineseclassical dance, the "body rhyme" is a brand new transformation, it marks theChinese classical dance drama dance out of the mother, from the dancing bodyfunctions and features toward a major step forward; aesthetically "Shen Yun"reflects the independent ethos and aesthetic pursuit Chinese classical dance,carrying the spirit of responsibility to spread traditional Chinese culture.As a scientific, logical, systematic teaching as one of a mature, Chinese classicaldance "body rhyme" against opera, martial arts and learn from the process,to extract the elements and actions, including the five main typical textbookActions were from opera, martial arts resources, is the result of " dance "of the process and the formation of a unique, distinctive national styleaesthetic characteristics of dance movements to the five typical action is themain starting point of this article, the first to explore its associated sourcefrom martial arts, drama locate similar, related," matriarchal " actionelaborated, in contrast to Italy five dance movements change and development;second, focus on the point of this article is to explore the "body rhyme "five typical actions of aesthetic and cultural properties were carried out bymorphology, dynamic,"degree","potential" four-part in-depth exploration,mining philosophical background thinking behind it, as well as nationalcultural heritage; third, another point to start from the social and culturalattributes of the five typical action, analysis their nationality, as wellas training of ductility. Highlights of this paper is to see the small, typicalactions by the extension of the five extensions to Chinese classical dancegerminal "body rhyme" aesthetic and cultural infiltration, look further ahead,put forward the "body rhyme " up to the next level of aesthetic vision, someforward-thinking for the proposed development of Chinese dance aesthetics.Although personal power meager level is still shallow, but hope this articlecan play its positive values.
Keywords/Search Tags:Chinese classical dance body rhyme, five typical actions, aesthetic and culturalattributes, social and cultural attributes, body aesthetics rhyme
PDF Full Text Request
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