A Study Of Lu Ling 's Novel "Europeanization"

In the research field of Lu Ling creation, "Lu Ling creation of ’Europeanization’’seems to be self-evident consensus. Lu Ling initially a "Europeanization" is named Hu Feng, Hu recalled this point in the article, Lu Ling evidenced-"Hu said, the language of my novel takes the form of Europeanization" ("Together through thick and thin friend and mentor-I and Hu "). Of course, this argument also does not chisel, Hu just raised the issue of the language he created in the process of guiding Lu Ling’s writing and pointed this writing style has attracted a lot of controversies. But Hu’s "name" and the controversial new literary history of "Europeanization" creative problem, ever since then to the intersection, and build out Lu Ling creation "Europeanization" of the speech tradition. Of course, faced with the questioning his own creative language caused, Lu Ling defended and stressed the spirit of slavery leading to the language of slavery trauma wounds, so it is necessary to use "knowledge of the language tend" to resist these slavery. Although it had never been recognized by Lu Ling his creative language is Europeanized, but the "creative language Lu Ling Europeanization" has become a basic conclusion of research on Lu Ling, and its "Europeanization" Creative Studies also have started on different levels.Talk of Lu Ling’s creation of "Europeanization" issue, but also because of Lu Ling creation of "Europeanization" in the literature in the forties became a "problem"; in addition, then on Lu Ling’s "Europeanization", also based on principle of the "Europeanization" in Lu Ling creation needs to be problem- oriented in the point of view. "Europeanization" meaning mobility, fuzziness, within the field of literature produced a huge space for interpretation, of course, they also bring their understanding of the complex and difficult. Furthermore, when we talk about "Europeanized" in the 1940s, when talk of the twenties and "Europeanization" is still a problem? When we talk about Lu Ling’s "Europeanization" in the end what we are talking about? This article attempts to "Europeanization" as a starting point, put Lu Ling in the "Western literary tradition", "New Literary Tradition," "left-wing literary tradition," review of the relations between Lu Ling creation of "Europeanization" and the forty’s "national form" construction.The first chapter, as a modern literary tradition of "Europeanization." In linguistic level, as China’s first study of Europeanization scholars Mr. Wang Li believes that the so-called Europeanization grammar is "subject to the influence of Western grammar produced Chinese new syntax." In terms of Mr. Wang Li Lu Ling creation of standards, Lu Ling novel language is Europeanization. "Europeanization" tendency of modern Chinese literature can be traced back to the Ming and Qing Dynasty, "54" birth of a new literature, the development is born out of Europeanization. The forties, literary language, artistic style on Europeanization has become a literary tradition in the development of financial embedded in modern Chinese literature. But in different times connotation differences of Europeanization, so four decades Lu Ling controversial creation of "Europeanization" presented a more complex look.The second chapter, Lu Ling language of "hard" made. Starting from the late Qing Dynasty translation, transliteration of foreign words, and new things that corresponds to the new vocabulary continuously appear in literature, modern literature coinages is produced in this context. These foreign language, a new coinage from Europeanization, in constant communication, through the process of elimination, screening, was eventually fixed, incorporated as part of the development of modern Chinese. Lu Ling creation of a large number of students coinage exist, and this is one of the main reasons why his language showing a "block","jerky" look. But Lu Ling coinages is obviously not the kind of Lin Yu tang "humor" type of coinage, and did not develop into a modern Chinese "new word", then the coin Lu Ling on how to interpret the language of this chapter is to be solved problems.The third chapter, the road-style complex long sentences. In the existing research results, Lu Ling was considered another important reason for "creative language Europeanization" is described using the adjective, adverb and piled on the basis of complex long sentences. Sentence growth, is an important feature of modern literature Europeanization, which are reflected both in different periods and different writers. For example, the left-wing writers in the thirties, although respected literary popularity, but the Europeanization of their creations is very obvious. Lu Ling forties creation complex long sentences, both compared with the older writers or other contemporary writers, has emerged relatively unique personal style. This chapter attempts to interpret complex long sentences of Lu Ling in the Europeanization modern literary tradition.The forth chapter, Lu Ling’s "psychological" and describe the mood of the characters. Lu Ling forties for the creation of criticism directed at his "psychological strokes Europeanization"; "hysterical" and "unhealthy" morbid description, is Lu Ling "Europeanization psychological strokes," the main performance. Dostoyevsky influence the creation of Lu Ling can not be ignored, but Lu Ling this morbid deliberately portrayed not Dostoyevsky skills parody, he intended Europeanization With this new literary tradition psychological description of it’s characters were "spiritual mining", the characters’intense spiritual entanglements "were revealed in the works of reform "living" life "in order to resist the old times, old things spiritual slavery. But the popular literature forties leftist ideas promote mining resources for the creation of civil society; in shaping the characters, psychological description, the respected hero’s rural "new" image-building, psychological description should "Eau" plain. And Lu Ling this morbid way contradictory psychological description, apparently with the idea of left-wing literary development phase discord.The fifth chapter, "Knowledge Language":Lu Ling’s "national form" construction. Forties, Xiang Lin bing accused Lu Ling of abandoning the beautiful public language, the workers written petty bourgeoisie. And Lu Ling believes that the worker-peasant workers also have their own "knowledge language", not dialects, but because of shyness or low self-esteem that this is the language of the upper classes and deliberately without use. This phenomenon is the language of slavery traumatic wounds caused by slavery, and Lu Ling creation of "knowledge language" is the resistance to such trauma. Meanwhile, in the "national form" establishment of the war in the background, "knowledge language" is also Lu Ling as "the national language in the form of carried out actively trying to explore. He tried to Europeanize the new literary tradition, with a combination of left-wing literary tradition, to construct a practice more far-reaching national form.