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Sino - Foreign Exchange And Value Judgment Of Porcelain Enamel In Ming And Qing Dynasties

Posted on:2016-03-13Degree:MasterType:Thesis
Country:ChinaCandidate:A T ZhuFull Text:PDF
GTID:2175330470471735Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
After the Ming Dynasty, the folk handicraft industry developed vigorously, ma ny craft variety and the technique all the innovation from the folk. Also folk handicraft industry developme nt proposed remot e communication requirements, cause the prosperity of the national arts and crafts areas of goods trade, increasing the interaction of various schools, so as to the variability of the techniques of diversity, to create a rich and decorative design in a utensil opening the door.Europe nobility, artists and collectors keen interest by the Chinese porcelain, enamel and other crafts are exported to Europe, in Europe’s c u l t u r a l c i r c l e s, fi n e a r t s, e s p ec i a l l y the field of Arts and crafts, ther e are a shares of the pursuit of interest in China, advocating the Chinese style of the boom.The most representative of European Baroque art style to the change of the style of the Luo cocoa with Chinese interest. Baroque style during the era of Louis XI V once wa s popular in Europe, it is the pursuit of a solemn and elegant artistic feeling into Louis XV, on behal f of the de licate and charmi ng and gorgeous exquisite Rococo style became popular, the aesthetic tendency undoubtedly and Chi nese arts and crafts exquisite natural, gentle art style of coordination, indicating t h a t i n t er es t i n C h i n a h a s b e e n a b l e t o i nfl u e n c e t o t h e ma i n s t r e a m a r t.The influence of Oriental Ar t on Europe is actua lly beyond art and the cultural psychology of the whole society.. Although say to is the decisive factor of the Rococo styl e r at h e r t h a n r a i s i n g t he v a l u e t o determine the influence of East Asian art, but East Asia, particularly Chinese art of the 18 th century Europe a n a r t e ff e c t i s n o t t o b e i g n o r e d.The Qianlong period began to s e e mor e t o We s t e r n f i g u r e s, landscapes, flowers as the the me of painting on porcelain ena mel pattern, color bright, exquisite picture of harassment, give people a strong visual feel. Some expre ssion pa ttern is very strong dedication of style, its source is traceable to the European Rococo style to the curve of S shape, C shape or volume volute intertwined and shells lines, grass pattern and other art for ms. The similarity of the decoration language, t h e t i me o f t h e L u o c o c o a s t y l e o f absorption for reference. The characteristics of Rococo decoration style in slim and gorgeous, refined design also contains the influence brought by Chinese porcelain art. This art form after the processing of R o c o c o a r t a g a i n r e t u r n e d t o C h i n a, bring profound infl uence to the creation of the palace painting on porcelain enamel.Ena me l painting on porcelain ena mel is for med from t he combination of We stern glaze, technique and Chinese traditional porcelain craft a unprecedented porcelain species. It brings the new vitality to the porcelain art of Qi ng Dyna sty, and it become s a dazzling ge m in the history of Chinese art and crafts history and the history of world art and crafts.
Keywords/Search Tags:porcelain, enamels, China and western, Communication
PDF Full Text Request
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