A Study On The Narrative Of Anti - Japanese War Movies In Mainland China In The New Century

In this century, the rising of popular culture, consumption culture with the Post Modernism and the New Historicism coming, China society presents a multi-cultural coexistence. In the coexistence of multi-discourse background, the Anti-Japanese War Movies as far as possible to get rid of the single narrative mode in the authoritative discourse, showing the diversity artistic characteristicsThis thesis from the point of view of narrative, through the analysis of the Anti-Japanese War Movies the social and historical context, narrative discourse, narrative perspective and narrative structure, finding in this century the Anti-Japanese War Movies main features, searching this features new aesthetic orientation and values, and to evaluate the movies achievements and problems. This paper are four parts:The first chapter, I will Comb the Anti-Japanese War Movies history, to elucidate the new historical context effect to the movie, the Anti-Japanese War Movies are part of the revolutionary history theme movie, his developing are effect by the social culture and the political environment restrictions, this kind of situation make the different period Anti-Japanese War Movies have their mark of the times. In this century, Chinese and relationship has become strained, whether the government or private have friction.The second chapter, I will comb the Anti-Japanese War films narrative discourse in terms of. In new century, the narrative discourse of the Anti-Japanese War films is much more rich and flexible, different subjects are trying to choose their own folk discourse:the folk discourse use narrative strategy of "gaming", the subversion and reconstruction of the history, to create a small hero as the official story; a representative of the mainstream culture discourse, through the "main melody" narrative strategy to complete the construction of the mainstream ideology; in the international market as the goal of the film elite, choose the "internationalization" of the narrative strategy, through the successful experience of western war movie, expect the works to gain international recognition.The third chapter, I will comb the narrative point of view. Since the beginning of the new century, with the rise of mass culture, film and entertainment, consumer is more and more obvious, the zero focalization omniscient perspective before Anti Japanese war movie themes in the usual, have become dull as ditch water, it is difficult to meet the audience’s needs. Replace sb. is a comprehensive application of cohesion from the perspective of external focus, focus and focus perspective view of reunion, it will greatly broaden the scope of the narrative of the film. It is because of the choice of the type of changeable narrative focus, since the beginning of the new century the war theme movie to become increasingly rich and colorful.The fourth chapter, I will comb the narrative structure to the subject of the film. In this century, the Anti-Japanese War films by consumer culture, business culture, to obtain the audience and the market, this kind of movies often imitate the successful model of Hollywood, though the classic comedy, war movies and spy war film and other genre film elements in the mixture, the Anti-Japanese War films narrative structure is diversity, the initial the formation of the unique aesthetic style.Finally, this paper fully affirmed the Anti-Japanese war film in the new century, the same time, pointing some problems:In order to attract the attention of the audience,many films are tendency to make the serious history entertainment, cause the confusion of values in the films, lack of the sense of mission in research and performance history.