The Ink And Wash Of Modern Chinese Freehand Brushwork

Chinese traditional freehand brushwork figure painting is a long process of development,from two Keith c. song to the Ming and qing dynasties the painter’s unremitting’s freehandbrushwork figure painting got great development. The advanced western scientific theory of the20th century, art concept was introduced into, great changes have taken place in figure painting,to the contemporary brushwork figure painting is "schools of thought contend" puts gloriousgreatly. Compared with flower and-bird painting, landscape painting freehand brushwork figurepainting’s achievement is the biggest, is also the fastest growing. Pen and ink as the main artform of Chinese painting, has a pivotal position in the art performance. Freehand brushworkfigure painting has led to the development of pen and ink, ink is different in different period.With the development of the history of freehand brushwork figure painting ink fromaffirmation to negation to affirmation again experienced a bumpy journey, this makes the inkform combines many other arts, which becomes rich and colorful. So Chinese freehandbrushwork figure painters face a serious problem, namely how to better inherit the tradition,draw lessons from foreign culture to innovative ink, so that the ink to adapt to the change intoday’s society, better performance and adapt to the modern aesthetic taste and the rich mentalstate, so as to promote the development of freehand brushwork figure painting ink. Throughoutthe development of freehand brushwork figure painting artists through the tradition and referringto the method of absorption and innovation made great contributions to the development offreehand brushwork figure painting, which is also necessary.In this paper in view of modern and contemporary brushwork figure painting ink as theresearch subject, discusses and studies of freehand brushwork figure painting ink. Paper at thebeginning of freehand brushwork figure painting ink and development as the background, tosummarize in different periods of freehand brushwork figure painting ink view. Based on theabove discussion and the research of ink in the form of freehand brushwork figure paintingdevelopment process and the importance, advocate the tradition and referring to the method ofabsorption and innovation development of freehand brushwork figure painting and freehandbrushwork figure painting creation into a new impetus for himself, to do a meager power offreehand brushwork figure painting. The main content of the thesis is divided into the following sections:First of all, in the introduction part of the thesis, expounds the view of value, modern andcontemporary brushwork figure painting ink examples from several aspects the necessity ofresearch on the concept of modern and contemporary brushwork figure painting ink.First chapter, mainly in the perspective of macro summarizes the freehand brushworkfigure painting of the father, Keith c. in different periods and freehand brushwork figure paintingink pen and ink development and change of these two aspects.The second chapter, to the point, elaborates the concept of modern freehand brushworkfigure painting ink, mainly including of a period of modern freehand brushwork figure painting"xu jiang system" and "zhejiang pie" freehand brushwork figure painting of the produce,development, succession, and then summarizes the concept of this period of and its impact ondevelopment of freehand brushwork figure painting.The third chapter, is the view of contemporary brushwork figure painting ink and itsinfluence on the development of the freehand brushwork figure painting, mainly ofcontemporary brushwork figure painting the inheritance of traditional pen and ink, and thereference of other pictures, the analysis of the representative painter pen and ink.Epilogue part reiterated the midpoint of the article, to clarify the conclusions of this paper.Which discusses the development of modern and contemporary brushwork figure painting inkroad, set up the concept of ink, to understand the concept of modern and contemporarybrushwork figure painting ink form the emergence, development. Laid the foundation for thedevelopment of freehand brushwork figure painting ink, provides the reference for the youngartists drawing creation. More to improve the level of their artistic creation and understanding ofpen and ink, in practice to make his creation idea more perfect, more rich, more rich in their owncreation concept, a more practical significance.