The Study Of Freehand Brushwork In Contemporary Realistic Figure Painting

Realism is an important artistic style of painting, painting is an important topic in the field of technology theory research. Handed down in the art history of the classical realistic painting not only outlines the historical outline of oil painting as the object, and also shows that the painting favored degree of artists. When the time evolution for history, people can have enough time to find the historical drama.20 century China part of artists with the ideal of saving the nation by art to western realistic painting into Chinese, desire by western realism to the picture. However, Chinese improved when the western oil painting in Chinese nearly 100 years of development, taste the painters Chinese in oil painting creation but invariably into the aesthetic concept, Chinese of traditional culture, the freehand spirit in realistic painting, it is not Can not say it is a very interesting cultural phenomenon. As a kind of culture from its birthplace into different national regions, who will be introduced into the cultural needs and culture of their genetic survey and control based on the, to a certain degree of change. So when the western painting was introduced into China, potential artists the necessary China from traditional Chinese culture to examine and choose, there are two layers of cultural exchange collision results in this process. One of the factors in painting for China culture value into their national culture, which is advocated by Xu Beihong and other artists to improve the realism painting China reason on the other hand, China left the painting was introduced into its own cultural soil, they would have a different aspect. The development and development of the art of painting is not only a different aspect of the development of the rich, it is not With the art form and develop the national culture inheritance.This paper Chinese contemporary characters in realistic oil painting freehand factors were analyzed, and through his art practice in the creation of the factors used in their actual works. The thesis consists of four parts, the first chapter is the freehand aesthetic idea of the overall analysis, extraction of freehand aesthetic art clues China aesthetic theory of traditional painting, and from the artistic characteristics and painting freehand pursuit of two aspects. The second chapter mainly introduces the development status of China contemporary characters of realistic painting, the purpose of this chapter is to clarify the characters of realistic painting style evolution, and in the context of contemporary realistic painting figures situation analysis. The third chapter is the analysis of freehand painting aesthetics in contemporary realistic painting performance China characters, this chapter mainly from the characters of Chinese painting realistic figure painting realistic science Read and about Chinese traditional modelling element reference value to discuss, and from the shape, color, pen combined with the representative of the artist's works were analyzed in this paper. Chapter four is mainly from the learning creation experience of analysis and discussion of the author in writing real figure painting of freehand brushwork in traditional Chinese painting performance of exploration.