A Study On The Modern Consciousness Of The Fine Brushwork In The New

Chinese painting over a long period of germination, development, prosperity, decline of the change, has become Chinese traditional painting has the longest history of painting, whether from the content or form of expression of the performance has reached a near perfect position. But with the improvement of productivity, the change of the society, the traditional painting language gradually can not keep up with the pace of people’s aesthetic, people’s aesthetic consciousness and aesthetic pursuit compared with the past has undergone tremendous changes, the new era of artists will be faced with how to transition to a modern subject.In the new period, cover and contain everything in this world, diversification has become a major direction. The development of painting from a single turn for multiple mode, if it continues the tradition of painting the footprint, it is difficult to have the innovation, the development of the art will be gradually limited. In the new period of painting has a strong sense of individuality in the process of creation, artistic style, full of self. Especially in Western painting composition, color, to integrate the concept of techniques and materials, has a great impact on the development of traditional painting, let the new era Chinese painters aware of some limitations in traditional Chinese paintings. The definition of the concept of the new era, the consciousness of modern fine brushwork painting first, in contrast to the classical modern consciousness and consciousness, we further understanding of classical consciousness, understand its inner continuity development China art, should stand in the global perspective of the new period paintings. Secondly, further understanding of the modern consciousness, mainly refers to the process of integration of Western painting idea and traditional painting ideas, personalized consciousness in the new period of the artists in the creation process, can use a regular pen can draw lessons from western painting idea.The new era of Chinese painters is also in constant innovation, constantly trying, to explore suitable for their own road, shows its own characteristics. This paper focuses on the research of the new period of Chinese modern consciousness of painting, launches the elaboration from four chapters:First, the characteristics of traditional Chinese meticulous painting analysis. The flow and to find its source, discussion is made on the traditional painting style, composition, color and the social and cultural background at that time, to understand the traditional Chinese meticulous painting characteristics, to better grasp the development trend of traditional Chinese meticulous painting.Second, the reasons for the rise and fall of traditional meticulous painting. The reason for the decline of reflection, it has reference value for the new era of Chinese painters, painting artist to have a choice in the creation process of the new period, in order to build a new era of painting with modern consciousness.Third, the new period of painting is how to construct the modern consciousness of painting. During the new period of the painting is different from the traditional painting, aesthetic standard is different from western painting, it has its own unique modern painting consciousness. And the painter has its own unique temperament, character, habits of mind is consistent, consistent with the era of aesthetic concept, significance of its own development. In the new era painter in inheriting excellent traditional culture at the same time, have the courage to face the reality, to absorb the essence of Western and Japanese painting art has a choice, into his writing process.