A Study Of Ji Za 's Music In

"Zuo Zhuan" recorded Ji Zha leaving for Lu to enjoy the music. The written records about Ji Zha’s evaluation of poetry and music is a system and typical art and literature review in Chinese Pre-Qin dynasty, it has been occupies an important position in Chinese history. "The Book of Songs" is the most important carrier of the Zhou dynasty. Before the Mid ChunQiu dynasty, the rites and music still plays a certain effect to maintain social stability. But after that, the rites and music is only the form without substance. To the ChunQiu dynasty and the late, the process of ceremony disintegration and fall has been unable to stop. Through the comprehensive exploration of Ji Zha’s view is not only beneficial to deep understanding of the gathering and transmission about "The Book of Songs" in the ChunQiu dynasty, and it is more able to provide clues for reducing its true colors. At the same time, it can be used for reference to the ancient Chinese literary criticism and the formation of aesthetic.This study is composed of introduction, main body (4 parts) and conclusion:The introduction mainly defines the research object; meaning and purpose of this article, with domestic present research status were summarized, and points out the research contents of the lack of a comprehensive review, to determine the research methods.The first part mainly summarizes the background of Ji Zha’s view, to read the historical events in historical circumstances, introduce Ji Zha’s life important, show his gentleman’s personality. Analyze the reason of him go to the kingdom of LU from two aspects of personal and political.The second part analyzes the text of Ji Zha’s view in detail, interprets his comments to the "Fong, Ya, Song" and the dance, focuses on giving explanation conforming to his original meaning about his evaluation on "Fifteen Fong" to come to the conclusion that Ji Zha is not only commenting on poetry, music and dance, but also on politics, nation, and history. He is under the influence of "Use the poems to express the will". He pays attention to the social function of the poetry and music, to observe the politics in poetry and music. But the thinking and change is a progressive significance spirit in his comments. At the same time, this chapter expounds the purpose of his mission and process of etiquette, explains the alternate and contradictions between the ancient music and the new sound.The third part mainly discusses the preservation of the Zhou dynasty music in the kingdom of LU, and the relationship between the culture of WU and "The Book of Songs", mainly discusses the collection and spread about "The Book of Songs" in ChunQiu dynasty. The collection of "The Book of Songs" has experienced four stages. The first was the "Setting the songs" in the King Zhou Kang, "Song" and "DaYa" already had a prototype. The second was from the eastward migration of the King Ping to the Duke Xiang 29 years of LU. "The Book of Songs" has a mature version spread from one country to another. The third was at the time of Confucius, Confucius removed duplicate content, compiled the "The Book of Songs" on the basis of the editions of LU. The fourth was in the Han dynasty, Confucian collected and compiled into a book on the basis of "Three-School Poetry", the others constantly replenished. The forming of "The Book of Songs" is a successive creation and an accumulated dynamic process.The fourth part mainly discusses its influence on Chinese ancient music aesthetics and literary criticism, especially for the influence of the literary view of Confucius and the Han dynasty Confucian’s aesthetics. The view of Ji Zha has been a sensory and social criticism. On this basis, Confucius created a new situation for the continuation of rites in Zhou dynasty from the perspective of people and the philosophy. Mencius only evaluated poetry without music; "by the meaning against the will" inherited the thought of the "from the historical comment on poetry", it created the objective research methods of poetry. But the behavior of "disorderly judgment poem" covered with the far-fetched shadow of the poetry. The criticism model of "evaluating the poetry from the politics" was maximum limit played by the Han Confucian scholars. They put "The Book of Songs" onto the status of a classic; the thinking of the "Saint indoctrination" affected the process of thousands of years of thought in ancient China.The conclusion summarizes the influence on the culture process in WU of Ji Zha. Come to the conclusion that:the record of "the view of Ji Zha" made the Jiang Nan civilization process in advance. He played a role in the process of cultural transition, the spirit of "comity", "integrity"; "thinking to change" pioneered the transformation of WU cultural from advocating force to the pursuit of civilization.