Stage And Knight

Yuan drama is the symbol of the Yuan Dynasty literature style, is the art for ordinary people to write the heart, the unique artistic charm in the long river of Chinese opera, left a sizable drama text for the world of Chinese opera. The study of Yuan drama monographs and paper is immense. Selection of angle is an important breakthrough of drama, this article from the Angle of the knight-errant, with Wang Ji si chief editor of "The Yuan drama" as the main version, analyzes the knight-errant’s image appeared in the drama, aims to explore knight-errant’s image in the Yuan drama and contains the chivalrous spirit in Chinese culture.The first chapter analyses the knight-errant’s image before Yuan dynasty in literary works and defines knight-errant’s image in the drama. After the birth of knight-errant from the warring states period to enter the official records and later in the poetry, novels, drama, experienced a long developing process, Han Fi zi was done for the first time to mention "knight-errant to break prohibition", Han dynasty Si Ma qian’s Shi Ji and Ban Gu’s Han Shu both wrote biography for knight-errant. But after Han Dynasty, rulers for spider man crushed policy,the description of knight-errant’s image transform into the literary world, appeared in the poetry of chivalry poetry, Tang Chuan qi and story-telling scripts in the Song Dynasty. This kind of image has been found in Yuan Dynasty, reflect the work of knight-errant’s spirit. On the basis of the existing drama, find out the knight-errant’s work 16 units, classified on the basis of the research.The second chapter analyses the woman image in Yuan Dynasty. There are five woman image. According to their spirit, they can be divided into three types:one is save in urban man Zhao Pan er; two is sacrifice themselves to help others, Huan Sha nv, the wife of Zhuan Zhu and Kou Cheng yu; the third alternative woman Hong Niang, her knight-errant’s spirit such as justice, brave and helpful is analyzed. We can not ignore the value of their existence, so the value of its existence is also discussed.The third chapter analyses the man knight-errant’s in the Yuan drama. Man knight-errant’s number are more than woman in drama, mainly included in the three subjects, respectively is the Shui Hu dramas, historical play dramas and social ethics. In the first section,the spirit of knight-errant and its performance in Shui Hu dramas is analyzed. There are so many Shui Hu dramas in Yuan Dynasty, the writers were willing to borrow the Shui Hu chivalrous hero performance. This section is mainly about knight-errant in Shui Hu plays and their mental performance form, the reasons are analyzed. Knight-errant’s spirit of sublimation in the "water margin" play for "for good", battle righteousness is more prominent, and the resolve to return favors the behavior of the directivity and rise to the collective agreement. In historical play in the second quarter, mainly divides into "the self-sacrifice "," save the suffering, give savior", "good will reward, enemies will quote" class. Through the classification, carries on the elaboration, analyses their chivalrous of manhood. The third section analyses social ethics drama. This kind of drama only appeared one knight-errant’s image Yan Chen, heritage the spirit of knight-errant.The fourth chapter analyses the chivalrous spirit in the Yuan Dynasty. Drama is drama stage performance, knight-errant’s spirit in both the inheritance of traditional spirit and the creation of traditional chivalrous. Have inherited the traditional spirit works mainly were historical plays, with Si Ma qian’s understanding of knight-errant. On the basis of inheriting predecessors, authors combined with era, formed the Yuan dynasty knight-errant’s features, the result is knight-errant’s character is abate, this is the new change and analyzes the reasons for this new change.Yuan drama based on altruism, such as sacrifice and righteousness, shows the fusion and communication of elite culture and popular culture, through all kinds of shaping of the characters in drama, knight-errant wind stage convey man, bearing the weight of the spirit of knight-errant’s value.