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On The Influence Of The Artistic Brush And Flower Paintings In The Song Dynasty On The Paints And Flowers In The Contemporary Chinese

Posted on:2016-11-19Degree:MasterType:Thesis
Country:ChinaCandidate:J Y WangFull Text:PDF
GTID:2175330479482304Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Heavy variety, as the name implies, is laying heavy color painting art. Mention heavy variety, known as, qin and han dynasties tomb murals, BoHua, song dynasty flower-and-bird paintings, dunhuang murals. These are outstanding examples of China and claboratestyle works. These works on the mine looking for pigment of dense, after time of dental laboratories, was washed out of the new life. These colors represent artists is far more depiction of the world, is the story of one after another has rich significance, is to take history, we see an entrance to look to the future.With a long history of Chinese painting, the painting from spontaneous to independent aesthetic way and technique, Chinese fu, bi and xing, lyrical and artislic way, visually reflects the Oriental world view of nature of the universe. Its occurrence, development and mature to biochemical changes take a long trip, flow hui nationality and humanity connotation of The Times.Claboratestyle flower and-bird painting as an important part of the painting, there is no doubt that the importance of the global culture and art exchange more frequent in recent years, the art of Chinese painting, the essence of absorbing foreign culture art, makes claboratestyle flower and-bird painting taken on a new look, showing rich and colorful artistic characteristics. Throughout China’s contemporary claboratestyle flower-bird painting and its artistic characteristics, painting language, material application, such as concept, the creation of artistic conception convey various aspects have larger differences and changes have been made with traditional ChongCaiHua, studying Chinese and claboratestyle flower-and-bird painting, China and the United States is a major interest of this article.This paper is divided into six chapters altogether, the following chapters of the point to do a simple conclusion:The first chapter mainly is to trace the origin of the song dynasty and claboratestyle flower-and-bird paintings, describing the development of song dynasty and claboratestyle flower and-bird painting and historical evolution, the song dynasty painting are described briefly the origin of ChongCaiHua, song dynasty Chinese painting ChongCaiHua development.The second chapter, the article discusses the song dynasty and claboratestyle flower and-bird painting influence on Chinese contemporary and claboratestyle flower-and-bird paintings, contemporary and claboratestyle flower-and-bird paintings in the breakthrough and innovation on the basis of inheritance.The third chapter basically I am a graduate of creation, to talk to creation of himself, for the colors of predecessors works some of the experiences and his own thoughts and techniques.
Keywords/Search Tags:The song dynasty and claboratestyle flower and-bird painting, The composition form, Diversified, Composite material, Color view
PDF Full Text Request
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