A Comparison Of Chinese And Western Spatial Thinking

In the "Rope," the creation, in the space shaping the appropriate combination of Western painting light and shadow, material and other means of modeling the birth of painting style pull back, close to the awareness and recognition of the audience, while retaining the spatial characteristics of the core. But the shadow of intervention cannot simply follow the Western concept of the principle of realism, in traditional Chinese painting, replacing light important technique is blooming, blooming shades of color by turning physical performance and brightness of the object.The current two-dimensional animation is a popular form of mass entertainment, but also a kind of art form rich expressive force, both on heavy commercial and artistic property, so the creation of common requirements for mutual unity and individuality. On the spread, it must have adistinctive national characteristics, but also have the ability to spread universal.Space is an important category of film art, a different concept of spatial cognition direct effect on the expression of visual language. By contrast characteristic spatial cognitive differences between the West and find behind their different artistic traditions and cultural practices, explore their own unique animation creation and possibility.