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The Artistic Language Of The Border Of The Han Dynasty

Posted on:2017-05-30Degree:MasterType:Thesis
Country:ChinaCandidate:F C WangFull Text:PDF
GTID:2175330482995280Subject:Art theory
Abstract/Summary:PDF Full Text Request
The main object of this study is the Prame and Grid of Pictorial Art of Han Dynasty, that is, for Pictorial Art of Han Dynasty The Prame and Grid lattice artistry were devoted.The basic constituent elements of The Pictorial Art of Han Dynasty Prame and Grid are mainly two kinds purely sash trim patterns, they have a wide variety of forms. Pictorial Art Prame and Grid has a variety of grid approach that’s both simple single-layer structure, there are a variety of complex forms. In the Pictorial Art screen, Prame and Grid and subject portrait formed mainly from the side, cutting, blocking and four basic relations broken edge, successful Pictorial Art works often use this as good bilateral relations, especially the broken edge practice the people, was the image of boldly border boundary cell breakthrough treatment can often get unexpected results. Pictorial Art styled form of its era, regional overall style consistent. In the era of the early rough simple, delicate and complicated and diverse late. From a geographic perspective, Shandong region Pictorial Art relief of diverse styles, border bounded lattice pattern with mostly composite, neat and elegant; Pictorial Art of Nanyang area affected by the Chu culture, style simple and extensive, rough border bounded lattice is also simple; Drift northwest Dynasty stone border area bounded lattice with broad and real grid-based, since this area is stone portrait style decorative, borders blur and portrait format boundary lines between the two; Sichuan Pictorial Art area bounded lattice similar with Nanyang area, are more simple, but some border bounded lattice presence of shading. For The Prame and Grid of Pictorial Art of Han Dynasty should have this understanding: it is though it is of secondary importance, but it is not optional, is also part of the picture; it framed oil painting, framed painting has a lot of similarities, but not exactly the same; the plastic arts in general, tend to have similar Pictorial Art bounded lattice artistic language, such as a border community grid, trim, and body interact with the edge of the grid, etc. etc. this is actually the art commonality performance. Therefore, in the plastic arts, the Prame and Grid is also an integral part of the work, has its own unique form of language, art and research process should be attention to good use.
Keywords/Search Tags:Pictorial Art of Han Dynasty, The Prame and Grid, Artistic language
PDF Full Text Request
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