A Study Of "Six - Character Mantra" In The Background Of Tibetan Buddhist Culture

Six Tibetan Buddhist mantra tune "Om Mani Padme hum" forthous- ands of years in Tibetan widely known to every family. Whether it is in worship and avert disaster, prayer and other ceremonial activities or in daily work, singing an-d other enterta-inment activities, "six word man- tra" preached righteousness principle and thought not only guides the self-improvement of the Tibetan people in the practice of Dharma, seeks the life pain relief on the road continue to move forward, and to inspire the whole human society also has practical significance. In this paper, the main research is within the range of Gannan Tibetan Autono-mous Prefecture "six word mantra", and combines the national musicology, cul-tural anthropology, religious studies, and theory, in the Gannan Tibetan Auto-nomous Prefecture "six word mantra" for a comprehensive, in-depth and syst-ematic investigation and study.This thesis consists of the introduction and three chapters of four parts. The introduction discusses the purpose and significance of the research, related research, rese-arch ideas and methods.The first chapter is mainly divided into two parts. The first part is the author of "the sixth mantra" and the Tibetan Buddhist culture background, Gannan Tibetan Autonomous Prefecture cultural background to carry on the elaboration separately, thus "the sixth mantra to tune in Gannan Tibetan AutonomousPrefecture, the emergence and development of the cultural background of a comprehensive grasp. The second part is the author of "the sixth mantra tune" field research in Gannan Tibetan Autonomous Prefecture, Gregorian chant occasions, and on the basis of "the sixth mantra" in the actual situation of Gannan Tibetan Autonomous Prefecture will be divided into "Niang but section six syllable mantra" and "the death of a loved one when six syllable mantra of adjustment" and "self practice and other occasions in the six syllable mantra tune" three.The musical form of the second chapter is the author according to the on-the-spot investigation to collect six word mantra ", musical structure, mode, scale, rhythm, turning method characteristics, analysis, and summed up the Gannan Tibetan Autonomous Prefecture in the field of six word mantra "in musical forms as the commonness and personality characteristics.The third chapter is the author of Gannan Tibetan Autonomous Prefecture "six word mantra" are the main content of music aesthetic, religious function and actual cultural interpretation, in order to Gannan Tibetan Autonomous Prefecture "six word mantra" form a complete case study results.