The Acceptance Of French Culture By Shanghai School Writers In The 1930s

From the end of the 19 th century to the first half of the 20 th century, French culture had brought huge impact on the Chinese literary world, of which most is Shanghai School literature, this is because the era chance for the openness and the formation of modern metropolis. Because Shanghai is one of the first open port cities, and set up some concession. French invested large amounts of money used in municipal construction in Shanghai, making French culture traces can be seen everywhere in Shanghai, Shanghai also named as the "Oriental Paris", magnified in the concession, the reality of the reserve for china-france culture communication in folk. Because the Shanghai literature of modern consumer and urban characteristics has its French origins. To some extent, the French writer’s Paris to Shanghai style writers depict Shanghai provides a copy. Shanghai School writers, many had studied in France or had experience of learning French, also they laid the groundwork for the further understanding of French culture. This paper will be divided into three chapters.The first chapter mainly summarizes 1930 s Shanghai style writers accept the premise of French culture: one is due to the Shanghai port has closed Shanghai into the open, greatly accelerate the modernization process, in the 1930 s of Shanghai open and inclusive, absorb a lot of foreign culture, French culture is one important part of; Secondly, in the 1930 s of Shanghai style writers is a French culture origin, as an important component of the new Shanghai style literature in the 1930 s feeling of three writers, two have been in the French Catholic jesuit scholarship fund and founded aurora university, learnt French, their literary creation and translation, is under the influence of the learning experience.The second chapter mainly combs the 1930 s of Shanghai School writers accepted French culture characteristics, firstly is the accepted scope of French culture diversity, secondly it is to clarify the 1930 s Shanghai style writers accept French culture’s influence on the creation, thirdly is 1930 s Shanghai style writers accept French culture in the creation of the localization.The third chapter mainly describes the 1930 s Shanghai style writers accept French culture influence on Shanghai style literature since the new period, although the two differ in nearly half a century before, but it is, it is easy to found in contemporary Shanghai School literature shadow of modern Shanghai style literature, modern Shanghai School literature for the contemporary city of Shanghai style literature description provides a facsimile, as did the French writers.