Classical And Modern: On The Natural Landscape Experience In Mu Dan 's Poems

For a long time the study of Mu Dan’s poetry has always been under the context of the west. Even the traditional elements of Mu Dan’s poems, the starting point is still the "old" and "new" context, which extends to the poems of Mu Dan, it will put Mu Dan naturally or unconsciously under the large context and easy to ignore his personal experience. And this experience is often the most personal, unique of Mu Dan. It will inadvertently dismiss Mu Dan’s feeling of art which is in the formation of local experience. Mu Dan experienced the Anti-Japanese War, the liberation war and the subsequent C ultural Revolution, which reveals that the time transiting combines with space moving. Mu Dan had spanned more than half a China with the Yunnan Guizhou Hunan tour, with C hina expeditionary force relegated to the "savage mountain", to go abroad, these series of space changes influent Mu Dan.To explore the characteristics of modernity in Mu Dan’s poetry, if we temporarily abandon the influence of the western modern party, to research Mu Dan’s poetry from the natural landscape experience, we can find modern experience with localization in Mu Dan’s poetry, which can broaden the study on the poetry of Mu Dan’s visual field. The natural scenery experience with the "Hunan Guizhou Tour" in Kunming brings the poet’s unique land experience, which contains the national deep feelings of people, the concerning and thinking for people and their own life, and the reflection on modern city civilization. In addition, the savage mountain scenery experience brought fear experience to the poet, which prompted the poet to think about the relationship among the war, the natural and human life, which corresponds to the internal fit that Du fu who is the Tang Dynasty poet with natural scenery writing expressed their thinking of the nation and the fate of its own. In addition, In his later years of mu Dan had experienced a series o f life suffering, seeking the soul of this type of land of idyllic beauty home, and Tao Yuanming’s seclusion and carefree. But it is worth noting that Mu Dan in the place where and Tao Yuanming, Du fu, meet and get along well and presents some deformation, namely in the expression of natural scenery,Tao Yuanming, Du Fu paid more attention to the "emotion" of the writing, and the poetry of Mu Dan is more flattering "thought". Mu Dan expressed in modern C hinese language, with a sculptural "concrete" way presents the natural scenery, but Tao Yuanming, Du Fu used C hinese classical literary language to present the natural scenery which called "Xing" manner, from his experience for the natural scenery description way, encounter form and landscape painting form and deformation of modernity can be seen in Mu Dan’s poetry form. To a certain extent, it is the acceptance of the variation of the classical poetry form.As one of the Southwest Associated University teachers Feng Zhi also concerned about the Du Fu’s poetry. And, Feng Zhi is also a keen on the landscape. There is no lack of the natural scenery in his poetry writing. Feng Zhi and Mu Dan have highlighted the image itself, no longer like natural scenery in classical literature itself is always with the traces o f the poet’s own emotion, even natural scenery by their excessive suppression of the feelings of the poet and becoming the representative poet of emotion symbols. Feng Zhi in the period of Anti-Japanese War express the reality concerning into the natural scenery. He concealed his own experience of life, explored "death and change", and lead the thinking of life to the universe for object level. O n the basis of rheological mu Dan in their lives and on the poetic technique presented the complexity and the exp ression which is more deepen the thinking of life. Mu Dan let the natural scenery in a figurative way, to create a world of its own, the spatial and temporal changes. And at the same time the human experience is not hidden, but exposure. In the poetry of Mu Dan’s natural scenery and human experience, time and experience superimposed contrast; the expression of life theology is more complexity.From the point of view of the natural scenery to research the Mu Dan’s poetry, we can find the inherent deep spiritual point of view in the natural scenery experience, and can also find the localization modernity experience in the poems of Mu Dan, which can broaden the research perspective of Mu Dan’s poems; Also this kind of landscape experience and classical poetics in scenic experience has a inheritance continuity, and in the context of modern literature has its unique. From this view, we can see a fit and variation from Mu Dan’s poetry in classical and modern. From the point of natural scenery experience we can see the relationship of modernity and classical in Mu Dan’s poetry. And this point not only provides a new vision for the Mu Dan poetry study, but also provides a new connection point for the relationship between Chinese classical poetics and modern.