A Study Of Music Aesthetics In Qing Wang Xuan 's "Liao Tong Li" And "Liao Jing Or Q"

Wang Xuan as the Qing Dynasty by the experts, the idea is also related to the field of music aesthetics, Mr. Cai Zhongde will Wang Xuan’s thought of aesthetics of music summarized as "four no", namely forbidden love, abstinence, no sound, no change, and that the idea of Wang Xuan marks the Chinese traditional aesthetics of music has walked to the end. The to Mr. Cai Zhongde induction and research as the basis, combined with Confucianism, Taoism’s thought of aesthetics of music changes in different periods in ancient China, further analysis of Wang Xuan’s thought of aesthetics of music, Wang Xuan this "ban" thought of music aesthetics in every aspect is how to develop and find out, his this thought reflects the ancient Chinese social decline in music aesthetics thought during the negative side, and try to find Wang Xuan music esthetics thought in the social influence at that time.Wang Xuan’s thought of aesthetics of music though is negative, but the understanding of the contents of his thought, and combing the origin of his thought, help us in a correct and comprehensive understanding of music aesthetics history, and to understand the influences of the Qing Dynasty’s literary policy of military and foreign policy, to master the development of the whole era of music aesthetics. Therefore, there is a certain reference music aesthetics to explore Wang Xuan of the development of modern society.