| Christopher Nolan is a famous Hollywood commercial film director. As a prolific filmmaker,his films have been touted in recent years and spoke highly of the critics of fans. Nolan’s film has highly personal characters and theme profoundly rich in philosophy, he shaped the characters are mostly ordinary people in marginalized groups or heterogeneous molecules. Most of these people unsociable behavior strange, but tirelessly pursuing the goal of self-realization. Lack of social identity character in the film is Nolan frequently discussed issues they lonely, confused, in life constantly trying to interpret themselves, out of the woods. Nolan shaping these kinds of characters, from the lone hero to a voyeur, to save humanity from destruction by terrorists astronauts to the city, they are full of complex side of human nature, so that the audience for the human good and evil glance. In these roles, Nolan shaped villain particularly prominent, with respect to the protagonist worse. For example, in its Nolan directed the film "Batman: The Dark Knight" in the shape of the Joker in the original comic books on the basis of a more profound process, called Hollywood villain image of a model of great research and reference value.This paper is divided into five chapters, each introduced and discussed as well as its shape Nolan movie characters, the film focuses on the analysis of the villain, and the value of different characters in the Context of inquiry and, finally, its characterization of reference.The first chapter describes the first part of director Christopher Nolan features were introduced Nolan and his deeds, its labyrinthine narrative mode and unique directing style; the second part of a review shaping Nolan film roles, respectively, to investigate the specific topics and the fate of the characters of the movie role.The second chapter of Nolan fashioned villain depth of study to be analyzed from the personality, psychology, practices and so on. Which first introduced the character in the film belongs to the villain, how they become a villain; followed by a particular personality structure villain; and finally explore the vague boundaries of good and evil in the Nolan film set.Chapter three main chapters as paper, Nolan will be individualized analysis fashioned villain.Among them, these evil people into antisocial personality, loss of humanity in the extreme, and by whatever means three types of desires, and combined with the specific and elaborate video resolution. Section Analysis of the "Batman" trilogy clown Ninja Master and Brain; Section II "Insomnia" in Fincher and "Interstellar" in Mann and Tom; Analysis III "the Prestige" and the Angel Burdon and "follow" in Cobb.The fourth chapter will analyze Nolan shaping policy on the villain. This chapter explores Nolan movie unique "no absolute villain" setting mode, the protagonist that is the villain ofchoice Nolan model and policy on the villain actor and his villain for shaping the personality,preferences implantation.The fifth chapter describes Nolan’s movie characters and cultural value system and the implications for the development of world cinema. This chapter will be analysis from two aspects which are western cultural values and Chinese cultural context context, looking for similarities and differences, in order to find the villain Nolan on shaping the world cinema,especially reference value of domestic films. |
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