Calligraphy And Clever Theory

This paper mainly studies the two categories of Chinese aesthetic “Qiao” and “Zhuo”. Chinese calligraphy has cultural connotation and meanings in the historical course of “Qiao” and “Zhuo” and more deeply discussion parts will be reflected in the related categories. Moreover, this paper will set “Qiao” and “Zhuo” into a particular historical context, and choose typical calligraphy from each period, as well as mainly combed its connotation and extension of historical evolution in the Chinese calligraphy area. It can not only helps us to understand these two categories of Chinese aesthetic within calligraphy area, but also favors us stand on a dimension to understand calligraphy itself. Last but not least, according to the combination of the dialectical relation about “Qiao” and “Zhuo” and aspects from ontology and creation theory, this paper discovers the relations of interdependent unity, transformation and the unity of opposites in calligraphy art.