Lister "Love Dream" (third) Performance Analysis - A Comparison Of The Performance Versions Of A Rubinstein, Kissing, Rumel, And Li Yundi

Liszt is one of the most brilliant pianists of the 19 th century, his playing style inherited grams column Clementi, Beethoven’s piano music dynamic tradition; he was also a famous composer, he pioneered the genre of symphonic poem, title music advocate, emphasizing the music and the emotional ties. Liszt wrote a lot of his life involved in a variety of genres, and has made outstanding achievements in the Liszt piano music will be the property of their piano transcriptions. "Dream of Love" is one of Liszt’s piano transcriptions of the relatively large number of outstanding works, Liszt before his own creation based on three art songs "sublime love", "happy death", "love, such as Dew " adapted from the piano works, and together nominated for " Dream of Love "(Op. 64), it has high artistic value.At present, for Liszt "Love Dream" study abroad, most focus on the works according to the form of structure and acoustic characteristics to perform research work and creative features.Although Liszt’s "Dream of Love" is an excellent classical and romantic piano works by domestic and foreign pianists respected and loved, but versions for different pianists of the work still relatively rare, therefore we choose digital piano playing home playing Liszt "Love Dream" audio and video information for the study,combined with their own performance practice, its research and analysis.This paper Liszt "Love Dream" by comparing different versions to play, make a certain exploration on problems:the performers in the play the personalized characteristics of change of speed and strength、the common characteristic of speed and intensity change、the speed and intensity change relationship between the structure of the music、the use of musician playing skills and sound processing、performers play style and aesthetic tendency of the second creation an so on,for future generations to provide more theoretical basis and practical reference, also for their own piano playing and teaching in the future to lay the foundation.