On The Aesthetics Of Yan Lianke 's "Realistic" Novels And Its Practice

Yan Lianke put forward and completed the interpretation of the " God Is Real" theory in his theoretical work "Found Novel" published in 2011, on the basis of analysis ancient and modern classics from the novel causal logic and "real" level. "God is real "is not only Yan Lianke’s literary creation method, but also his literature view and world view. The name and presentation of "God is real" did not exist in the past of literary theory, but the "God Is Real" is not of Yan lianke’s raving and invention. It Is a "discovery" from the mystery traditional literature in China, and from modern and contemporary literature in the West. It is according to Yan lianke’s practical experience, reading, writing, and after a long time of his thinking. The "God is Real" theory is not turned from imagination. It is a gradual theoretical process of " God Is Real".The establishment of "God is real" theory has been accompanied by the continuous practice of Yan lianke’s novel. His novels appeared non-realistic components of ghost, myth and Bible narration in the Novella "Year Month Day", "The Song of Rake and Aquilegia", and "go towards Southeast". His novels appeared the overflow realism of performance technique in the novel "Flying Years in Sunlight", and "Hard as Water". After that, his novel made a slogan of anti-realism by the postscript of "Shouhuo" in the public. The concept of "real God" has gradually become clear in his mind and formed by his writing mode process of conscious escape from realism. The novel "Explosion" was a complete practice of the theory "God is real".The theory of "God is real"’appearance and practice has special value and significance in the history of Chinese modern and contemporary literature. Firstly, the theory of "God is Real" on the novel "Explosion" records on "within real", and the performance technique of "God" to "real" is a subversion over the tradition of realism aesthetics category. The performance technique from realistic to God abandoned the realism literature of tracing reality, shaped typical traditional performance technique and realism of "real" views, and render out the novel aesthetics which is different from the "Pioneer Literature" and "magic realism" in the West. Secondly, the contemporary novels have contained "real God" factor, but critics never study these works from the "God is real" angle. Then the theory of "God is real" provides a new perspective and method of literary criticism to contemporary literature, and is also a reflection of constructional literature. Moreover, the "God is Real" theory has a certain amount of space in practice completion. It has not developed into epic works. The definition, interpretation, argumentation of the "God is Real" theory are still existing something ambiguous, so whether it can become a new kind of literary theory is still debatable.