On Cultural Aesthetic Implication Of Local Novels In Eastern Zhejiang In The 1920s

In history of modern literature, the growing up of eastern Zhejiang country writers as a group is a phenomenon which is worthy of being focused on in the 1920s. These writers are mainly drifters who moved or flee from place to place because of being forced by life or feudal forces. They moved one after the other from a rural to an urban and began to look closely at native land and write about country from the perspective of "city cultivation". In this process, they expose the damage to villagers which is caused by inveterate feudal forces or outmoded regulations and irrational practices through the centuries in order to show heartfelt sympathy to the oppressed people; or they recall the ethos of country in spirit of miss and Nostalgia to show the old and history of Chinese country. Eastern Zhejiang country writers of 1920s as a group shows the collective character of the region which is accumulated in its glorious history and the deep culture on the basis of describing meters limpid water and ethnic customs of eastern Zhejiang country. So landscape painting, custom picture and figure painting with the tinges of region and country come into existence.It is deeply by the regional culture of East region local novels, from the date of birth, it has exhibited strong characteristics of regional culture. On the one hand, it was by the gene of East region culture, as the background of the rich cultural resources of east region constructs a unique literary world, so that it reveals the deep cultural connotation of east region. On the other hand, with modern rational to criticize village life, under the feudal patriarchal system of inhumane barbarous custom, so it makes east culture got value remodeling. As a result, east cultures of local-color novels it not only has the cultural inheritance, but also value remodeling, the relations between them are interactive.