The Characteristic Of Stereoscopic Film Under The ’’Pure Film’’ Proposition Analysis

Sound film and color film is known as the advent of technology of two important revolutions. Since the early 21 st century, large areas of the digital technology to capture the movie art after the \ "territory\". Digital technology to the compared with the previous two technology revolution equally important position. Whether we focus on digital 3 d imaging techniques, it has quietly come to our side, in gradually, it is changing our viewing habits and way of life, it’s culture in the progress of science and technology has brought about prosperity.This paper regards"pure cinema” as the topic in order to highlight characteristics analysis of three-dimensional film image from the angle of ontology from the proposition of view of reality, the sense of space. In this process, at the basis of the Andre Basin’s anesthetic thought, the above characteristics were given to stereoscopic film. Based on the analysis of three-dimensional film features, the hot topic of aesthetics of Bazin in the digital era, was also discussed in detail and review at the same time,. The system of André Bazin’s theory "show", "screen frame", "depth of field”, the three core keywords were combined with three-dimensional film "truth" "sense of space" and "stereo" properties of the corresponding correlation, analysis the concept of comparative study, demonstration, subversion. On the basis of theory to expand, the three-dimensional film properties and the creation of "virtuoso" label and name from. This is an attempt to define the personal interpretation, but also to pay tribute to a classical theory. The first chapter is a detailed interpretation of the topic, especially on connotation of” pure cinema" proposition and "movie” definition, the two positive solutions were the foundation of the whole thesis with research significance. The second chapter discusses André Bazin photography ontology was originally defined, and the subversion of digital imaging in the original definition on digital technology brings. The second is it also shows the true significance of André Bazin photography ontology in film studies is that it needs to return to the "ontology of the image", and the movie is in need of such research methods to pursue "art characteristics of the work.Finally the focus of this chapter is the movie "fictitious" true view, this” real view “is common in André Bazin’s view of reality, but it varies with different times.