On The Color Quality

This paper aims to explore inter-relationship between colour, material and vision approach to visual arts and apply it to painting language experimental involving in creation of the picture reflecting to the material feeling-color ontology. The paper highlights the explanation of colours from different optical standpoints. And also explains the viewpoint from artistic perspective. This paper uses a historical study of human colour vision to understand the principle of three light-sensitive pigments and materialness of colour reflecting in a painting. A set of thought is developed, and an experiment is identified that describe the creation and subsequent elaboration of this element.