Have The Natural. Pen With Simple God

During the Southern Song artist Liang Kai, he created a big cut freehand pen portraits of the first of its kind occupies a very important position in the history of Chinese painting. Historical materials and painting on the records are rarely about Liang Kai. This paper demonstrates the style of his big figure in the formation of freehand three stages: the early stage of the fine pen line drawing, mid and late transitional phase to explore the reduction freehand pen big stage. Liang Kai papers collected some representative works in each period, figure painting by Liang Kai Reinterpretation by pen, by his pen portraits of the causes of and opportunities for change, and focus less on his big freehand strokes Re-interpretation of figure painting.This article is divided into five parts, the introduction part of the main narrative by Liang Kai freehand pen portraits of great status, this study clarified the significance and innovation; first chapter is an overview Liang Kai; Chapter three pointsLiang Kai explained the causes of reduced pen painting style: first is the impact of the background, the background trend, including the Song literati painting, ink painting style and the art show the impact of institutions, as well as the Five Dynasties, and Shi Ke in the style GUANthe impact of his; second and third point is the artist of Zen Buddhism and the formation of personality effects on the style; third chapter is the key part is the late great freehand Liang Kai stroke reduction, respectively, from the shape of the law works- lines, brush of Jane - shaped, too natural - ink, drawing character - again, Yi, and several other aspects of interpretation, this chapter is the focus of this study; Finally, the fourth chapter describes the Liang KaiPainting style re-interpretation of the practical significance.The development of contemporary figure painting with ink and ink portraits of the tradition and inheritance, from the techniques, the spiritual level, and sense of innovation demonstrated in three aspects, to our current figure painting in China.Liang Kai on the basis of the lead from the traditional, dare to break through, to find their own forms of expression and artistic language, which is very valuable, and we found by Liang Kai academy early in the court during his tenure has been renowned for their achievements, to besaid: "The hospital people are reflected in its subtlety of the pen, no disrespect volts."For a painting of the artist has made certain achievements, the abandoned and re-painting the original Reform is a challenging thing, I designed by Liang Kai's painting style and the evolution of re-interpretation and re-understanding of Chinaink multi-path of development, in the contemporary impact of such a multi-cultural environment of each other for the development of contemporary Chinese ink figure painting to find a new starting point.