Western And Central East Meets West Complement Each Other

Wu Guanzhong is a renowned Chinese contemporary artists also been controversial.He learned Chinese and Western, ancient and modern mastery, devote themselves to painting seventy years, has achieved worldwide influence.Wu Guanzhong, roots country, unrequited love their homes, based on standard national culture, is committed to "Oil Painting" and "Modernization of Chinese Painting," the pioneering exploration and practice.He created a lot of paintings and published a "continuous line kite", "form the content of the decision?", "Zero ink", "pen and ink with the Era" and other essays.Wu Guanzhong, a famous contemporary artist, his skilled use of western modern techniques, but his work is filling a unique charm and China Oriental Mood.Wu's paintings can focus on response to the most basic features of the face of contemporary art, which is one of the fusion of Eastern and Western art.During this period, as representatives of Chinese painting-the art of Wu Guanzhong is undoubtedly a very important thought of significance.His paintings not only to the unique innovation to promote the art of painting, but also in artistic practice for decades formed the basis of a series of groundbreaking painting aesthetics.He combines the essence of Chinese and Western artistic re-creation for the Chinese cultural heritage and history of art of painting to add a valuable asset.How to maintain the tradition, Chinese and Western cultures can digest, this is a new era of art of the important issues.This article attempts to Wu Guanzhong painting from the formation and development, and his theory of the three aspects of aesthetics, narrative summary of Wu Guanzhong's unique blend of Chinese and Western artistic achievement and the inspiration of contemporary art.Wu Guanzhong's painting of the purpose of drawing from the practice of Wu Guanzhong, and learn to appreciate the art of academic innovation, we must be clear guidance, not to study and research, research Wu is for inspiration in our painting and promote the role of learning.This article aims to summarize Wu explained by the system theory and aesthetics of art, contemporary art so as to provide a new theoretical development of resources, but also for the Chinese system of contemporary aesthetics and art establishment to provide useful lessons.This article is divided into three chapters:Chapter Wu's artistic experience from the start, with emphasis on his return home after three periods in landscape creation, he succeeded in painting the beauty of artistic conception of traditional Chinese and Western modern art performance practices combined with organic.Dwell more chapter because this chapter written by Wu and his experience of the creative process in the landscape, although not the center of the paper, it is the foundation of this thesis is a need to pave the way; Chapter writings from Wuarticles on painting theory which can be summed up the thinking of Wu Guanzhong painting embodied in the aesthetic beauty of form, pen and ink on the other; The third chapter is revealing the artistic ideology of Wu Guanzhong.This chapter is in the last two chapters of a text on the basis of summed up.Wu Guanzhong area, not only in drawing important inspiration to us, in the spirit of the fields and left behind a valuable spiritual wealth.A total of two sections of Chapter III.Section through the analysis of Wu Guanzhong in the times to uphold the historical and artistic tradition and innovation.Section two points the spirit of Wu style of writing. Wu Guanzhong wrote the first point of martyrdom to the spirit of Art to life; second persistent write Wu artistic personality.