On The Side Of Landscape Painting From The Righteous "fang" Interesting

Yuan Dynasty, the literati "Yiping" Painting the formation and development stage. Taoistpriest is one of the period of the most popular career.Live in the era of the square from the meaning of a child, meditation enlightenment, religious Jiangxi Lung Fu Shan. In the cultivation process, the wonders of nature, deeply touched the hearts of the righteous side to stimulate the feelings of its people, forming a unique individual interests. He wrote the play with INK feelings, not limited by the ancients, writing self-breast outgassing, chic already, which will form a "Romantic and Uncontrolled" wind. Unlike the priests, learned only from the righteous side of good poetry, calligraphy, painting, literature richer conservation.The painting beginner Dong, giant and then study "Milosevic landscape" and so on, especially good for ink Yunshan play. Xingqingzhongren side is the righteous, because that person is not easily give someone a lifetime work, so spread the works of living much. Now the research first-hand information is relatively small, so this caused scholars to study, explore, but difficult to proceed.Nevertheless, I collected information through various field trips, organize the literature research, hoping to obscure our original understanding of each other from the meaning, more clarity. Specifically, the paper aims to explore the side as detailed and accurate meaning of works of art from the Taoist spiritual meaning and connection, simultaneous analysis and comparison with the other party from the same era defined the artist's creative state, which we opened this "Taoist painter "The new concerns and find out where we should learn to open up new territories of Chinese painting.Article is divided into six parts to research and analysis:Brief introduction describes the purpose and significance of the Yuan Dynasty Taoist side of existing research results from the righteous and the methods to be taken in this paper the basic framework and main content and composition.The first chapter briefly discusses the era and the impact of a number of scholars from justice from the road side and other contemporary scholars differ from the specific channel.Chapter Two side from the righteous years of birth and death. Side from the particular context of the ideological influence of special status to analyze the meaning and implications of access and famous, from the perspective of multi-party font size from the meaning of the content, meaning, reflection and perspective to the character of the righteous side.Chapter specific analysis of the major parties from the meaning of life experience, the other from the specific context of the times, to explore the impact of age at that time men of letters, and the resulting seclusion of Chinese landscape painting in the plot and into the "Road" home ideas. As side from the righteous few surviving works, this works only in respect of the main tricks, pen, ideas and other research and analysis. Analyze the main source of ideas, one is the Road division gold uncover his head, the other is from the meaning of their own party where Taoism. Director from the meaning of both parties as one integrated to form their own "Romantic and Uncontrolled" thinking on the performance of their works; a certain cultural and conservation of natural landscapes like wandering between, but also created a number of literary works.Chapter IV by comparing Ni Zan's "Manhattan" and the party from the meaning of the "Romantic and Uncontrolled" were analyzed and compared, summed up side made from the meaning of artistic achievement.Conclusion part is defined under the square from the growth process and the achievements of some divergent thinking, in the "road", traveling under the action of such factors as party history of Taoism from the meaning of the shine but the original "Romantic and Uncontrolled" the wind Taoist painter, which can cause us to think deeply and learn.